Cameron Mackintosh presents a brand new production of Boublil & Schonberg's legendary musical, Les Miserables, with glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo. This new production that has been acclaimed by critics, fans and new audiences and is breaking box office records around the country is now coming to Broadway.
LES MISERABLES has returned to Broadway's Imperial Theatre in an acclaimed new production that has audiences leaping to their feet. Set against the backdrop of 19th-century France, LES MIZ is an unforgettable story of heartbreak, passion, and the resilience of the human spirit, that has become one of the most celebrated musicals in theatrical history.
Featuring the timeless score and beloved songs "I Dreamed A Dream," "Bring Him Home," "One Day More," and "On My Own," this breathtaking new Broadway production has left the critics awestruck, hailing it "A LES MIZ FOR THE 21st CENTURY!" (The Huffington Post)
...this 'Les Miz' will offend none of the musical's fans with any directorial innovations, and will give them a chance to assess how a new generation of performers meets the challenges of the score. The big winners, happily, were the actors playing the dominating roles of hero and villain: Mr. Karimloo as the bread stealer, single father, long-sufferer and future saint; and Will Swenson as Javert, dogged pursuer of said hero and general scourge to all noble causes and pure hearts...Making a sterling Broadway debut, [Karimloo] sets a high standard in the prologue, performing Valjean's angry soliloquy with fiery intensity and full-throttled vocalism that gradually shades into more nuanced coloring as Valjean...The highlight of his performance, and perhaps the production as a whole, is Mr. Karimloo's beautifully restrained but richly felt rendition of 'Bring Him Home'...The rest of the cast doesn't always meet the same high standards, although all are creditable performers within the limits of their roles...
Les Miserables' is back, and those irreverent satirists at Forbidden Broadway must be licking their chops. There's no clunky turntable to mock in this reverential revival of the barnburner musical that Alain Boublil and Claude-Michel Schonberg shrewdly fashioned from the classic Victor Hugo novel, which ran for 16 years on Broadway. But those excitable French revolutionaries are still storming the barricades, marching in place and singing at the top of their lungs. And unlike the tentative 2006 revival, this one is a solid piece of theatrical architecture, built to survive every critical arrow shot through its heart.
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