If you're looking for a musical with the laurels of Downton Abbey and the morals of a mongoose, look no further! A Gentleman's Guide To Love & Murder-the new comedy of manners (well, bad manners) that has won unanimous raves
Monty Navarro has just received some really great news! He's a long-lost member of a noble family and could become the next Earl of Highhurst. There are only eight minor issues, namely the other relatives who precede him in line for the title. So Monty does what any ambitious, highborn gentleman would do: he sets out to eliminate them one by one, all while juggling his mistress (she's after more than just love), his fiancee (she's his cousin, but who's keeping track?), plus the constant threat of landing behind bars! But it will all be worth it if he can slay his way into Highhurst Castle... and be done in time for tea.
Tony winner Jefferson Mays (I Am My Own Wife, Gore Vidal's The Best Man) gives one of the most gasp-inducing performances ever attempted on the American stage, playing all eight doomed heirs who meet their ends in the most creative and hilarious ways. Mays leads a knockout cast alongside the delightfully debonair Bryce Pinkham (Bloody Bloody Andrew Jackson) as Monty, the scoundrel whose greatest weapon is his charm. Don't miss this unabashedly raucous new show that Charles Isherwood of The New York Times calls "among the most inspired and entertaining new musicals I've seen in years!"
A stylish music-hall mystery in which we know whodunit from beginning to end, 'A Gentleman's Guide to Love and Murder' has lively songs, a congenial villain and a physically and morally flexible mistress...Most important, it has the fine actor Jefferson Mays playing all eight heirs to Highhurst Castle as they're dispatched one after another in comically gruesome ways. What he lacks in finesse as a quick-change artist, he more than makes up for in force of personality.
The droll tone and Edwardian setting should lure BBC fans, but this 'Guide' has nothing on 'The Mystery of Edwin Drood' - the 1985 caper musical that was successfully revived last year. Problem No. 1 is Freedman and composer Steven Lutvak's score, a collection of innocuous music-hall pastiches. The lyrics can be fun, as in 'I Don't Understand the Poor,' sung by the fox-hunting blowhard Lord Adalbert: 'Though my politics are purely democratical/I find the species, frankly, problematical.'...The pacing is uneven as well...Meanwhile, the charmless Pinkham - much better as the villain in 'Ghost: The Musical' - basically functions as a placeholder during Mays' costume changes.
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