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 BroadwayWorld International Database


 
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Jan Neuberger

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Credits in the database:

Performance

Dr. Seuss' How the Grinch Stole Christmas
[Broadway, Return Engagement [Broadway], 2007]
Grandma Who

Dr. Seuss' How the Grinch Stole Christmas
[Broadway, Original Broadway Production, 2006]
Grandma Who

Wicked
[Broadway, Original Broadway Production, 2003]
Midwife
Ensemble
Madame Horrible (Understudy)

Wicked
[San Francisco (Regional), World Premiere, 2003]
Ensemble

Big
[Broadway, Original Broadway Production, 1996]
Miss Watson
Ensemble

Animal Crackers
[Milburn, NJ (Regional), Paper Mill Production, 1993]
Performer

Rags
[Off-Broadway, Off-Broadway Revival, 1991]
Performer

Arthur
[East Haddam, CT (Regional), World Premiere, 1991]
Performer

A Change in the Heir
[Broadway, Original Broadway Production, 1990]
Martha

Peter Pan
[Regional (US), Regional Revival, 1981]
Performer

Gypsy
[Broadway, Broadway Production, 1974]
Hollywood Blonde

Performance

Wicked
[Original Broadway Cast, 2003]
Ensemble

Wicked
[Original Broadway Cast, 2003]
Midwife

Big
[Original Broadway Cast, 1996]
Ensemble

Big
[Original Broadway Cast, 1996]
Miss Watson

Personal Information




Featured Show

Gypsy
(15 productions, 14 recordings)

 

Welcome to the BroadwayWorld International Database - Beta Edition!

The BWIDB is the largest theatre database on the net, covering Broadway and beyond. Quite literally - the whole world of theatre.

We've launched this beta version of the BWIDB already including over 75,000 performers and over 12,000 productions. Those 12,000+ productions were presented in more than 1300 theatres and in over 150 cities! But this is just the tip of the iceberg. We are actively increasing the size and scope of this database to ensure that it's your #1 resource for the history of theatre.

Please bear with us as we continue to collect and verify new and existing information within the database. We encourage you to contribute - just use the easy submission forms located throughout the site.

Happy Exploring!

  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. ItÂ’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.
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