I think that there was some discussion about the show going back on tour after NY. This was of course when they had originally planned to be here just for six months and then after those six moths they would go back on tour. Now that it looks like they aren't going anywere any time soon all bets are off. i do think that if this production continues to do very well it would still play on boradway and they would build a new set and have a broadway production as well as a tour.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear"
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If it does tour again, I hope they sell it as a season extra not in with a set season. I loved Les Miserables the first 4 times, not sure I want to see it again. Or at least so soon.
Off-topic...why did it close on Bway?
9/10 - Next To Normal, Ensemble Theatre 9/18 - Brian Stokes Mitchell, Cincy Pop's 9/28 - Death Of A Salesman, Wright State
It needed a nap. Sales were low (around $400,000) during the winter of 2002, which was when they announced the closing. Following the announcement, sales increased and the March closing was pushed to May. The Broadway set then traveled to Berlin where it played for several years at the Theatre des Westens.
How to properly use its/it's:
Its is the possessive. It's is the contraction for it is...
just to be clear, my understanding is that tour is actually Atlanta (TOTS), DC (Wolftrap) and Kansas City (Starlight). The version TUTS recently announced is not a tour, but a locally produced single engagement.
Even though they tend to apply the term tour to those productions, I've always viewed the TOTS, Wolftrap, Starlight shows more as co-productions than an actual tour.
The way I understand it is, Cameron Mackintosh will view Les Miserables in Atlanta. If he likes the production, it will become the new National Tour. Also, the set IS different, including no turntable. But I could be wrong.
AMN-I am a cast member of this production. Yes, Cameron is coming to see us in Atlanta,and he visited us during rehearsals in New York, however it's not as cut and dry as you say in your post. This is a new staging of the show, with a new set, and no turntable. We use some, but not all of the broadway props and furniture as well. It is staged by Fred Hanson, who was the executive producer of the revival as well as a long time associate director of the piece and one of the original stage managers going back to 1987. Fred has staged many other of Cameron's shows (most notably major productions of Miss Saigon here in the US as well as Japan) It is musical directed by Dan Riddle, who oversaw the Tenth anniversary company in New York, as well as conducting the Marius Company on the road for many years. The Set was designed by John Napier's Assistant, in the original Les Mis style, although its much different in execution. We travel with our own floor, but it is not automated. Plus there is heavy use of projections. That being said, it isn't as simple as Cameron coming to Atlanta and this production turning into a tour(even though this particular production has been very successful in terms of ticket sales). It really is more of a case of Cameron seeing the show in this new staging and seeing if it works. He is very protective of the show (he is actually listed as a producer of this production) and as far as i know is really coming to see the show done without a Turntable. This particular show (because of the huge venues we are playing) is massive in its size, and there really aren't many theaters around the country that could hold us. Also, a national Tour would have to be booked way in advance, so we're talking about at least 2010 till a tour really could be put together.
Other than that, did you enjoy the play Mrs Lincoln?
Not a tour but I read in PBOL that the Signature Theatre's (Virginia) new 2008-09 production of Les Misérables, will be "up close and personal." The set is going to be quite different. Greg Stone (Les Miz/Miss Saigon) will perform the role of Jean Valjean. He was amazing in Miss Saigon as Chris. Article
"I love acting. It is so much more real than life." Oscar Wilde "After silence, that which comes nearest to expressing the inexpressible is music." Aldous Huxley