Where are you getting the info that there is definitely a transfer and that it will be at Studio 54? Also, Michael has played the role before, ie Ravinia, but I would love to see him do it on broadway.
...What happened next, was stranger still, a woman breathless and afraid, appeared out of the night, completely dressed in white. She had a secret she would tell, of one who had mistreated her. Her face and frightened gaze, my mind cannot erase...But then she ran from view. She looked so much like you...
So I was sitting in my cubicle today, and I realized, ever since I started working, every single day of my life has been worse than the day before it. So that means that every single day that you see me, that's on the worst day of my life.~Office Space
"As much as I like Raúl (um, obviously), I definitely don't think he's a fit for the production that's transferring."
Why not? Because they use computer graphics? He's the best George I have ever seen/heard. Mandy's voice sucks (though perfect interpretation of the character) and Michael just didn't impress me. If only Daniel Evans comes to Broadway or Dan Futterman could sing (yes, I'm a Dan Freak as I've said), Raul is the best choice at this very moment.
Somebody sit in my chair, and ruin my sleep, and make me aware of being alive!
It's a little hard to explain... based on the cast recording at least, the London production was a little more naturalistic and conversational...warmer, maybe. And Raul's George isn't like that. I don't doubt that he could do it, since he's an extraordinary actor, but I don't think he's necessarily the best fit.
I was lucky enough to see this Sunday in London over the summer. As much as this tranfer news THRILLS me, I can't help but feel Studio 54 would be a poor house to hold such an intimate adaptation. The set, an all-white studio/home, made the house feel smaller. I wonder if 54's mammoth size would hinder the production. I can see this show thriving somewhere like the Music Box or the Booth (like the original). Then again, Doyle's Sweeney revival began in a 3/4 thrust and it worked just fine at the O'Neill. Either way, I'm stoked to hear Sunday may transfer.
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I personally don't think that Raul would fit into this production. George in this production is more warm and down to earth and I think if they're actually opening the production on Broadway, it would be nice to see some new faces aka use someone unknown.
All That Jazz
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'I'm not racist but this role DEFINITELY can't play by a black guy...'
Wait.
This isn't a documentary account of someone's life. It's a modernist musical that uses a fictionalized version of a person to explore the concept an artist's relationship to his art. This show has absolutely nothing to do with George Seraut, the actual human being. Because he's the only person that isn't represented in the painting, he's really the best character to get away with casting 'non-traditionally.'
ETA: Do we really consider Raul Esparza 'white'?
"I'm so looking forward to a time when all the Reagan Democrats are dead."
so, in other words, I could write a "fictionalized" play of Martin Luther King Jr. creating his "I have a dream" speech, but since it is a fictionalized version of a character, Michael Cerveris could play Dr. King.
"I'm an American, Damnit!!! And if it's three things I don't believe in, it's quitting and math."
"This show has absolutely nothing to do with George Seraut"
Erm... that charater IS Gearge Seurat. Sondheim wrote this musical under his name. I can't say everything in the musical is the real life of George Seurat (of course Dot is fictionalized), but you can't admitt that particular character is NOT George Seurat, the real person. He even use the account of the painting "Sunday in the Island of La Grande Jatte". If that character is not George Seurat, the whole musical is a fallacy!
Btw, at least Raul is a Caucasian, but u can't find a black guy to play a white historical person.
Somebody sit in my chair, and ruin my sleep, and make me aware of being alive!