yankeefan7 said: ""People interested in this play are already fans of Harry Potter and/or theatre. Hamilton brought in people who had never seen a musical before or thought they hated rap or didn't care about history. "
You are correct again, I don't see "Harry Potter" bringing people to the show that are not already fans.
I disagree. I think all the press and excitement and announcements of records being broken before previews have even started will make it very much the event of the season. if it gets the type of reviews it got in London and wins a bunch of Tony Awards, its all over. There are a lot of people out there who may not be THAT familiar wth Harry Potter who will have a lot of interest in seeing the play. And half of them will just assume it is a musical, given the likely producers, although I have read that the producers intent to keep prices reasonable, whatever that means these days.
leighmiserables said: "talinatter said: "Does anyone sort of have any estimate of how much the tickets will cost for both part one and part two? I am assuming each ticket will be $300 ish as it is new and has so much buzz, so then $600 for part one and two together? Or am I totally missing the mark? "
It's one ticket for both parts, isn't it? "
One ticket will secure the same seat for both Part One and Part Two.
I'm thrilled the original principle actors are opening the show. They're spectacular.
I'm very curious about the price point as I paid only £50 (roughly $75 at the time) for each show to sit in the equivalent of the mid-orchestra. I can't imagine there's any way they'll be offering tickets that low for seats that good on Broadway.
I'm sure I'll end up seeing this, but isn't the story supposed to be pretty bad? I was going to read the script when it came out, but I heard it was bad
schubox said: "I'm sure I'll end up seeing this, but isn't the story supposed to be pretty bad? I was going to read the script when it came out, but I heard it was bad
"
I read the script before watching the play and yes the story wasn't the best but the way they produced it at the Palace theatre in London was phenomenal. the magic tricks and acting were superb.
if there's a rush option I'd do it but since I've seen it London already I might wait until the replacement cast starts performing.
I went into it cold and loved it! I'd recommend against reading the script if you have likelihood of seeing it. It is much better live. I read the script afterwards, and when given the time, sure, it isn't the greatest, but the show is magical.
schubox said: "I'm sure I'll end up seeing this, but isn't the story supposed to be pretty bad? I was going to read the script when it came out, but I heard it was bad "
I've been a Harry Potter fan for years and could hardly finish the script. Not only did the plot itself read like bad fanfiction, the amount of disregard for characterization was insane. Hermione and Draco were especially OOC. Not to mention it completely throws away the rules for time-turners that were established in the books...geeky issues, I know, but annoying for me and every other fan I've talked to.
That being said, I had a friend who loves the series just as much as I do see it in London. She said the plot was almost unbearable but the performances and the special effects made up for it. I believe her exact words were, "As long as you don't think too hard about what's actually happening, it's a fun night out."
While the production hasn't announced ticket prices yet, based on the pricing in London and the shows desire to have affordable tickets available, one can assume that something similar will be the case in New York (though not quite as low as London as the operating costs will be much higher here). The complicated ticket purchase procedure (which has been used for other Ticketmaster venues) is probably the best practical way currently available to limit bulk buying of tickets for resale within the limits of local, state and federal laws. I personally think this is commendable, since they could have just priced the tickets at Hamilton levels and be done with it.
leighmiserables said: "bdn223 said: " I wonder how Broadway's black and POC community overall will react if down the line the show wants to stunt cast someone like Evanna Lynch (Luna Lovegood from the films) or even Emma Watson if god forbid she has a downward career spiral over the next 5 years as Hermione. I just wonder considering this is post The Great Comet fiasco, and despite the multiple racial interpretations of the character, if the community will react similarly if Hermione was ever cast with a white actress. "
I doubt there'd be much backlash if that happened, solely because the vast majority of people who protested the TGC casting change were teenaged/young adult Hamilton/Oak fans (a good amount of theatre professionals made comments too, yes, but the ones who were attacking the show's creative team were teenagers). This show's intended demographic is teenagers/young adults, all of which would probably do anything to see Evanna or Emma live, even at the expense of kicking out the one actress of color in the cast.
Plus of course, I'm sure the TGC fiasco is going to become producing folklore, a story told to aspiring producers about the dangers of having a bad PR team. "
I think that it's been established that Hermione is a POC in HPCC. Both full-time and understudy Hermiones have been POC. I doubt that they'll change that anytime soon.
Plus there are so many talented POC actresses that I doubt they'll run out of options nor will they need to star cast for the money. And there's always the role of Ginny that they can give to any Harry Potter movie alum.
leighmiserables said: "bdn223 said: " I wonder how Broadway's black and POC community overall will react if down the line the show wants to stunt cast someone like Evanna Lynch (Luna Lovegood from the films) or even Emma Watson if god forbid she has a downward career spiral over the next 5 years as Hermione. I just wonder considering this is post The Great Comet fiasco, and despite the multiple racial interpretations of the character, if the community will react similarly if Hermione was ever cast with a white actress. "
I doubt there'd be much backlash if that happened, solely because the vast majority of people who protested the TGC casting change were teenaged/young adult Hamilton/Oak fans (a good amount of theatre professionals made comments too, yes, but the ones who were attacking the show's creative team were teenagers). This show's intended demographic is teenagers/young adults, all of which would probably do anything to see Evanna or Emma live, even at the expense of kicking out the one actress of color in the cast."
Are we talking like 20 years down the line when these actors are old enough to play the character? Their teenage fans today aren't going to be teenagers any longer. Besides which, even today, it's teenagers and young adults who are most likely to raise issues of racial dynamics. In the unlikely hypothetical scenario that on Broadway they change what the West End already established, there would certainly be pushback, even if it were a big name in the part. Hermione isn't the only actress of color in the cast, by the way.
Hamilton Emotional Support Group:
https://www.facebook.com/groups/hamiltonsupport/
Based on what I saw in London, the issue that will most likely be raised could be along the lines of queerbaiting and the stereotypes we associate with friendships between men rather than racism.
Based on what I saw in London, the issue that will most likely be raised could be along the lines of queerbaiting and the stereotypes we associate with friendships between men rather than racism.
Any guesses what the dates of the first block of tickets will be? The play opens in Spring 2018. Do you think tickets for Fall 2018 will be in the first block of tickets released?
"If you are unsuccessful in securing tickets in this first release, please note that more tickets will become available with regular ticket releases."
Are they saying that more tickets will become available, with regular releases, as in, regularly releasing new blocks, or do they mean it by they're holding back tickets from the fan sale, so there'll be more for those dates, when it inevitably sells out? Writing this out now makes me think it is the latter. If so, that makes me a little less worried.
In London, the show releases last minute tickets all the time. In fact generally you can find tickets for each performance 2-4 weeks in advance. I just assumed that's what they meant when they said that. In London they tend to mostly be premium seats with the occasional regular seats though.
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joined:2/10/11
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Posted: 8/2/17 at 12:36pm