That commercial reminds me so much of the On the Town one, with the same vintage style and use of black and white. Interesting tactic, although I'm not sure who they are aiming at, demographic wise.
but DAMES AT SEA will likely cost about half the price to run. Much smaller theater, a cast of just 6 and much smaller orchestra. Probably around 400K a week would be my guess.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Years ago a musical of Billy Budd opened. 1 performance & gone. That was relly old fashioned
As good as OTT is, every revival has lost money. I saw the current one and the one with Bernadette Peters that played the Imperial I believe. Great show but despite your comments, old fashioned sailor musicals are not a draw. Besides, with the exception of OTT, how many old fashioned sailor musicals are there?
Anything Goes ran for a long time, and On The Town would be doing well if it was in the Longacre, or a theatre that size. Disney should just buy the Lyric at this point
Why would Disney buy a theater that is to big for commercial shows?
Technically, Anything is not an AOFSM musical. The only thing nautical about it is that it takes place on a cruise ship. For the sake of argument, however, I will agree to you including it.
Dames at Sea is NOT an "old-fashioned sailor" show. It's a spoof of Busby Berkeley movies of the early 1930s, that happens to end with a show-within-a-show staged on a battleship after an earthquake destroys their theater. (Yes, it's a broad comedy.)
The characters aren't actual sailors, but show biz types.
If you want a comparison, look to 42nd Street (not OTT); Dames at Sea tells the same story (star gets injured, chorus girl goes on in her place and becomes a star). The joke is it does it with cast of six rather than a cast of thousands.
The songs are lovely and often hilarious and the overall affect is charming. HOWEVER, its jokes do depend on a knowledge of Busby Berkeley and Ruby Keeler, et al. Do folks still watch those old movies on TV?
>The characters aren't actual sailors, but show biz types.<
Two of the characters, Dick and Lucky, are both actual sailors in Act One, and then play sailors in the musical within the musical in Act Two. The also persuade their Captain to allow them to stage the show on their ship when the theatre gets knocked down.
Begin at the beginning and go on till you come to the end: then stop.
">The characters aren't actual sailors, but show biz types.< Two of the characters, Dick and Lucky, are both actual sailors in Act One, and then play sailors in the musical within the musical in Act Two. The also persuade their Captain to allow them to stage the show on their ship when the theatre gets knocked down. "
Technically, that is true. But being sailors has nothing else to do with their characters or the plot. It doesn't even inform the songs they sing.
Calling Dames at Sea a "sailor musical" is a misnomer. The sailors are there only so the show can satirize the "Shanghai Lil" number from the Jimmy Cagney/Joan Blondell film called, simply, Dames.
Three out of seven characters are Navy men, and the entire second act is staged on their battleship. It's not a documentary on the life of sailors, no. But there are jokes and songs that rely on the characters being sailors. It's been a while since I've seen it, but what of the title song ("I like a sailor boy, a seaman, who is thoughtful and sweet" etc.), "Star Tar" ("I'm the star tar of the Navy. I'm the hit miss of the sea.") or Mona's line to Dick about how she can't wait to see what else he has stored up his dicky?
Begin at the beginning and go on till you come to the end: then stop.