I'm very sorry they decided to cancel the HD screenings in cinemas for this production. I'd love to get another look at it, and can't cough up the money to go to the Met right now and get a decent seat.
I remember the original Sellars production, all those years ago at BAM, very powerful and thought-provoking.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW
"Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick
My blog: http://www.roscoewrites.blogspot.com/
I'll be there as well...I've been looking forward to this production for quite awhile. For any one interested, the Kent Nagano recording is on Spotify and it's very impressive.
I have tickets to the final performance (the aborted simulcast).
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Just out of curiosity, Kad: where was the protest area set up?
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I walked by there (I live nearby and was just passing). There is no designated area. People were lined up all along the front of the plaza, and I got rather swept up by them. They didn't win my favor by shouting at me as I just walked past (I wasn't even going inside-I just happened to be crossing the street there to head west).
They were supposed to be on the other side of Columbus Avenue in Dante Park, but there were so many people that it eventually spilled over onto the sidewalk on the western side of Columbus.
I've waited a long time to finally hear this music live, I would hate it if it were disrupted by some annoying jackasses. I have no doubt that the Met chorus and orchestra will really do a fantastic job this evening.
Phantom-they have all but pressured the Met to cancel the entire production. (I have a sinking feeling that after tonight the rest of the run may be canceled. I sure hope not. But, just so you know, some Republican dignitaries, including former Gov. Pataki and Mayor Guiliani (Sir Rudy) will be joining the protest this evening). I feel it's my right to go and see it (which they are trying their darndest to take away).
"if I pay, I should not be kept from seeing it by people outside. They were bullies the night I merely walked by."
Well, they are protesting the show, so making a ruckus is kind of the point. And that actually is their first amendment right. The odds of them preventing people from entering is probably zero. It's not like the NYPD has no idea this is happening.
Now, a few people buying tickets to protest inside? That could happen.
If the Met censors a show or cancels a show, whether its because of protests or not, that has nothing to do with the 1st amendment or your 1st amendment rights.
The first amendment has nothing to do with this situation. You should read the Bill of Rights before bandying its amendments about.
Unfortunately, most of the protesters proudly assert that they have NOT read the libretto or seen the opera. Nevertheless, the Met's production and the presence of the protesters has actually started a conversation among Jews who champion the arts that is well worth having.
There's an interesting--and appropriately anguished--defense of the opera in the Jewish Forward (of all places!), by novelist Adam Langer: