I don't see how a theater lover could dislike Kelli O'Hara. While her fellow leading ladies Audra and Kristin have spent years on the other coast in network TV series that did not require any of their vocal skills, Ms. O'Hara has gone from one Broadway production to the next. Having established herself as a star in "Piazza" and "South Pacific," she has tried to stretch herself into comedy (Bells are Ringing and Nice Work), serious drama (Madison County), and comic opera (Merry Widow). She is more than just a voice; she is an actress.
As for this revival of The King and I, its biggest obstacle may be having to match the standard set by South Pacific. Ben Brantley in his review of the latter stated, "I know we're not supposed to expect perfection in this imperfect world, but I'm darned if I can find one serious flaw in this production."
I love Kelli. I loved South Pacific. And I loved the last revival of King and I, which was gorgeous in every respect, and, has been stated, was decades ago. And Watanabe as the King only makes me happier.
I kelli . I really hope that she wins HER tony this year...
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As much as I also want to see Kelli finally win a TONY, it seems that Kelli will become the Susan Lucci of the Tonys....The VISIT is supposed to be Chita's swan song to Broadway and almost every Tony voter will want to send her off with a statue...
"It does what a musical is supposed to do; it takes you to another world. And it gives you a little tune to carry in your head. Something to take you away from the dreary horrors of the real world. A little something for when you're feeling blue. You know?"
How do you guys think this Lincoln Center revival is going to differ from Christopher Renshaw's 1996 revival? I mean, he re-envisioned and restructured and reimagined this show so hugely that it was quite dark, gritty and had that realistic feel like Trevor Nunn's Oklahoma!… Do you think Sher's production will be more traditional, and more faithful to the original show… I'm just dying to see how it all looks.
Christopher Gatelli shares a little about Sher's vision, but it doesn't really say much.
You mentioned Bart's vision for this production. Can you share any more on that?
It's hard to say, other than the temperature of the palace. It's a lot different in this version. Bart's work is always so beautifully dense and rich and authentic. It's a take off of that style of musical theatre that makes it a little more real and grounded. Even the slightest things, like the physicality of them when they walk into the palace or bow to him... the temperature is turned up because of that atmosphere. It's very cool.
Since they are using the original choreography and the original orchestrations, I think we can look for the music and dance to be sumptuous, but traditional. I've read, although I would not swear to it, that Rodgers put a lot of reliance in Robert Russell Bennett, giving him not quite integrated pieces of a song and trusting him to put the final together. Bennett, like many orchestrators, does not get enough credit. He put the final polish on many songs as we have come to recognize them.
It is written in the great Wikopedia, and I have read it elsewhere, that Lawrence's voice had a small range and she was often a bit flat (she never would have made it to Hollywood when Simon was a judge). So he wrote her songs with that in mind. I wonder if an actress without vocal limitations will take the songs to places that they have not previously visited?
Will they have the 29 piece orchestra of South Pacific again? I think that they must or the first impression of the audience will be a negative one.
bwayphreak234, I am very curious to see how they will stage several of the scenes and the scenic transitions. Does the Vivian Beaumont have a large backstage?
This visual will give you an idea
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
I think the orchestra might be 25-30 members if I'm guessing. The production is using Robert Russell Bennett's original orchestrations after all. Since that Bartlett Sher has reunited his crew from the 2008 SOUTH PACIFIC revival I have no doubt that it will be spectacular in the Vivian Beaumont.
If Bartlett Sher is ever interested in a future production of FOLLIES I think I will have a huge happy attack.
^Will they have the 29 piece orchestra of South Pacific again? YES and a cast of over 50! --- JUST READ THIS:
While touring orchestration sizes remain a concern, the past few years have seen an encouraging return to original, large orchestras in revivals of classics on Broadway. For example, the revival of South Pacific at Lincoln Center Theater, which played sold out shows for two years (2008-2010) used a 29-piece orchestra, as does the upcoming revival of The King and I (March 2015). Local 802 member Ted Sperling is music director for The King and I and was also music director for South Pacific. “It takes a certain size to sound like ‘an orchestra’!” he explains. “You need a critical mass of string players, for example. Otherwise it sounds more like a chamber group or a pop band. You get an incredible sense of joy and excitement from a big orchestra. Interestingly, a large orchestra can also be very sensitive to accompanying singers. With a string section, you can have 15 people playing and still hear every word.”
According to Sperling, the orchestra size should relate to the production as a whole, and be in scale with the number of cast members. Scaling down that equation will lead to compromises that could sacrifice sound quality.
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
I'm wondering where to sit for this. On the day I would like to go, all I'm seeing is the far sides of the orchestra. I know it's hard to tell now because we don't know what the staging will be. Am I better off in the mezzanine? Any advice would be appreciated!
Don't know if its been mentioned, but there's a discount code for mezz tickets for previews only, for $99. I bought tickets for the first preview with it yesterday as a gift for someone and I'm sure it's the last discount this show will see in 2015.
I'm debating if I should get a $99 seat in the Rear Mezz now for when I come home from school in May or wait to see if they, by some miracle, have rush or are on TKTS.
I just discovered Kelli O'Hara has a previously scheduled concert engagement the day for which I bought tickets. I'll be at the matinee, and I'm hoping she'll still be in given that the concert is only in Port Washington at 8 pm. I just really wish Telecharge had made that fact known upfront given that I imagine she's most definitely above the title. Do you think it'd be worthwhile trying to switch dates through them?