Click below to access all the grosses from all the shows for the week ending 5/18/2014 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Looks like you have some issues with those ALL THE WAY numbers, Rob. 6 performances, 106% capacity but 77% potential gross?
Does anyone think MOTHERS AND SONS will win the Tony? Because they really need a lift.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
I'm a bit surprised that even in its closing week, Bridges could only rake in 57.76% of it's potential. I know the more vehement fans will hold to the idea that Serino Coyne was entirely to blame, but I wonder if (I know, this is heresy to some) it's just not the kind of show that appeals to many people?
Exciting to see Gentleman's Guide's good fortune continuing with a sell-out week!
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Idina indeed miss 5 1/2 shows but they might get another celebrity to take over Elizabeth in the future you can't just say the show is over when the first of the original cast leaves. As for the other shows I think Pippin and Matilda will really pick up again this summer maybe not as much as last year but hopefully well!
Oh wow. If it was 5 and a half, then I'm actually very impressed with how well the show did without her.
In terms of trying to keep it alive after her, who has enough name recognition AND can handle the score? I mean...assuming anyone can handle the score. It seems like it's destined to be a voice-wrecker.
jnb9872, good question. I think the show is scheduled to close on Tony day anyway, at least according to Playbill. But Telecharge has tickets on sale through July, so who knows?
Curious about what caused the jump for All The Way, assuming the numbers are correct. Why were there only 6 shows this week instead of 8? It seems that was also the case the week before.
Newintown: Just as a heads up, the spring road conference was last week. Most of the new shows this season (including Bridges) set aside a great deal of complimentary tickets - mostly in the orchestra section - where they could have been charging full price. That accounted for a a bit of the drop off in gross sales for some shows this week.
-There's the muddle in the middle. There's the puddle where the poodle did the piddle."
The next couple of weeks are going to be interesting for if/then because we're finally getting to shows that did not have a strong advance when the reviews were posted. It should start to indicate the longevity of the show.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
That makes sense, musikman; do you think Bridges offered comps, in the hope of recouping a little on the road? There's been speculation on whether it would tour or not, in its present form or revised.
I imagine since Bryan Cranston had to do publicity for Godzilla, Warner Bros would pay for the lost performances to the producers of All the Way, they did that when Daniel Radcliffe had to do publicity for the final Harry Potter film although that was a week rather than two performances.
If you compare Gentleman's rise to Once pre-Tony, Gentleman's is still lagging. I think they would have done better opening after the New Year no matter how crowded. With all these nominations and now awards pouring in it should be doing better than 75% of its gross potential. Will the Tony actually put it over that mark and for how long?
Newintown: The Bridges producers were very eagerly courting the road presenters last week. They made sure any presenter that wanted to see the show got to, and set aside extra comp tickets beyond that. All of them, plus the whole cast, showed up to the show sponsored conference after party to mingle and perform. I was able to talk with many of the producers, and they all seemed to be on board with touring the show, or at least having a great desire to do so.
Somewhere in the range of 600-700 people attend the conference. Even if only half the people at the conference saw Bridges, if you multiply 350 tickets x $141 for the orchestra seats, that's $47,940 right there. No small penny.
Gentleman's Guide was the same way. They made sure that every presenter who wanted a ticket, got one. That definitely accounted for whey their grosses went down a good deal, even though they were at sell out capacity.
-There's the muddle in the middle. There's the puddle where the poodle did the piddle."
was also expecting a big drop for If/Then. I guess not that many people stood in line for exchanges.
Gentleman's Guide continues to amaze me with their grosses. No hype leading up to the show, no stars, and a show with zero history to it. This is a show that has stayed alive thanks to strong reviews, terrific word-of-mouth & a lot of Tony nominations. I personally feel it's between Gentleman's Guide & Beautiful for Best Musical.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
How does one explain the very anemic and disappointing box office performance of Gentleman's Guide (only 73.53% of potential gross) despite the "strong reviews, terrific word-of-mouth & a lot of Tony nominations"? This has always baffled me, as the show is great.
Updated On: 5/19/14 at 09:51 PM
Some people want to see their money on the stage for a musical, or a celebrity star. Gentlemen's doesn't show you the money or have stars in it...I thought it was the best musical of the season...