Born to Dance with Eleanor Powell was on yesterday, and those great Cole Porter songs got me thinking about completely original film scores. Some of my favorites are:
Born to Dance (Cole Porter - 1936) Meet Me in St. Louis (Ralph Blane & Hugh Martin - 1944) Royal Wedding (Burton Lane & Alan Jay Lerner - 1951) Athena (Ralph Blane & Hugh Martin - 1954) Gigi (Alan Jay Lerner & Frederick Lowe - 195 Mary Poppins (Sherman Brothers - 1964) Doctor Dolittle (Leslie Bricusse - 1967) Goodbye Mr. Chips (Leslie Bricusse - 1969) Bugsy Malone (Paul Williams - 1976) Beauty and the Beast (Alan Menken & Howard Ashman - 1991)
In all seriousness, none of the High School Musical movies are any good as musicals, really, but as stylistic experiments they are incredibly successful- one of the only recent examples of fusing genuinely "current" pop music styles with the elements of musical theatre and having it not only work, but be successful as both.
Scrooge (1970) Mary Poppins Dr. Dolittle (1967) Willy Wonka and the Chocolate Factory Tom Sawyer (1973) Charlotte's Web Beauty and the Beast, Aladdin, The Little Mermaid Lost Horizon (1973) Goodbye Mr. Chips
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
How did I miss Willy Wonka! I also forgot Summer Holiday from 1947.
Despite my love for "B" musicals (and "B" movies of any genre for that matter), I have sadly neither seen nor heard Lost Horizon. Never heard the music, that is - I've heard loads about its dubious contents.
Love me some Harry Warren, After Eight. Let's not forget the Astaire/Rogers films (Berlin, Porter, Kern and Gershwin in their primes) and early Rodgers & Hart (Love Me Tonight among others they contributed to). I'm also fond of Kern's High, Wide and Handsome and Michel Legrand's The Umbrellas of Cherbourg and The Young Girls of Rochefort.
Leigh Harline's Snow White and Pinocchio for Disney.
Nobody's mentioned The Wizard of Oz or A Star is Born by Harold Arlen!
I can't think of any score by Leslie Bricusse I care for.
And not to split hairs here, but Hugh Martin himself would correct people when they complimented him on his fine score to "Meet Me In St. Louis." He said it wasn't a score, really just three songs: The Boy Next Door, The Trolly Song, and Have Yourself a Merry Little Christmas. The rest of the songs in the movie are all "oldies" from the period and not original.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
Nashville Gigi The Umbrellas of Cherbourg Eight Women The Wizard of Oz The Young Girls of Rochefort New York New York (to the extent the songs were new) Meet Me in St. Louis (ditto) The Harvey Girls Peter Pan Beauty and the Beast The Little Mermaid Snow White Sleeping Beauty Cinderella Willy Wonka and the Chocolate Factory Evening Primrose Cinderella It's Always Fair Weather Valley of the Dolls Shall We Dance A Damsel in Distress Follow the Fleet The Pirate Swing Time Dick Tracy
Very true about Meet Me In St. Louis, brilliant as it is I guess it technically doesn't qualify. I do love those three songs though, and the arrangements of the the oldies are really good. "Skip To My Lou" never sounded better.
I also found it interesting when I recently discovered Athena and found that it re-used "The Boy (Girl) Next Door" from Meet Me In St. Louis a decade earlier and its cut opening "Faster Than Sound" would be finally used properly a decade after that in HIGH SPIRITS.