It was okay but there was nothing exceptional about it. Christina Applegate was good -- I was actually surprised -- this is the girl from MARRIED WITH CHILDREN? (But a lot of the actors from MWC later proved themselves to be better than the material they had to work with on that series.) After SWEET CHARITY she did the tv series SAMANTHA WHO? but her medical problems and mediocre ratings led to its cancellation after two seasons. Maybe she will return to Broadway one day but she has said that her foot injury during the show left her unable to dance.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I didn't see it on Broadway but I saw the National Tour with Molly Ringwald, and I also thought it was like a community theater production. On a side note the audience audibly laughed when Molly Ringwald mentioned she was 115lb.
I did meet Christina when she was in the show though. Doug Caldwell was choreographing a dance I was in and she came in to see him. They were flying to the Hamptons after her show that night, and my friend and I went to TKTS to get last minute tickets for that night, but when we got to the booth we decided to see Movin' Out again for the nth time instead.
probably some of the worst choreography ever to grace a Broadway stage.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
"I didn't see it on Broadway but I saw the National Tour with Molly Ringwald, and I also thought it was like a community theater production. On a side note the audience audibly laughed when Molly Ringwald mentioned she was 115lb."
I saw the tour too and I thought it was charming. I loved the scenery, costumes and revised ending. I agree the choreography was terrible though. People were criticizing Molly as a dancer, but actually I think it was just the steps she was given that were the problem.
Curious--When someone writes 'this' does it mean you agree with the above post? Also--when someones' comment is followed by a 'blank' post-what does that mean? I'm still learning.
I actually thought the scenery for the tour was pretty impressive. It was minimal, bit up close the detail work was impressive. I liked the long red couch which seemed to go on forever and the ferris wheel.
I also loved the elevator scene because the actor playing Oscar was so great in it. I forget his name, but he was the best thing about that tour.
I don't envy any choreographer trying to do a new Rich Man's Frug. So why bother? Of course I feel the same way about Turkey Lurkey Time, and they didn't use the original in the Promises, Promises revival either...
In the original Oscar pushes Charity into the lake again and a good fairy appears and says "Tonight, it will all happen tonight." Charity takes it as some sort of sign that things are going to get better, but the fairy turns her back and the audience sees an advertisement for a CBS show called "The Good Fairy." She's a walking advertisement -- not a sign of hope.
In the revival Oscar didn't push Charity into the lake and there was no good fairy. Charity actually breaks up with Oscar telling him "up yours" and after he leaves she speaks directly to the audience echoing her sentiment from the top of the show and asking "Did you ever have one of those days that was perfect?" She says, for her, this wasn't it but that there's always tomorrow and sings a reprise of "I'm the Bravest Individual."
^I've always wondered if he wrote it. If you look at the original libretto there are actually a ton of little changes to the book that were made for the revival and I've wondered if Neil Simon did them himself.
I hated every second of it. Pedestrian doesn't even begin to describe this mess of a revival. The cast recording is atrocious. They succeeded in massacring a classic.
Tiny-cheap orchestrations, ugly-cheap design, dull-amateur choreography, a lightweight-bland leading lady - there was nothing special about this revival; it was summer stock on Broadway.