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Frank Rich on Sondheim in New York Magazine

Frank Rich on Sondheim in New York Magazine

PalJoey Profile Photo
PalJoey
#1Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 10:30am

A perfect way to start a Monday, long, informative, personal and insightful:

What unifies many of Steve’s characters and makes them so moving, I think, is not any facile resemblances to him but two primal traits many of them share with most of us: a longing to connect and a fear that time is going by too fast. There could be no more plaintive or direct Sondheim song title than “Take Me to the World,” which turns up in Evening Primrose, his 1966 television musical (from a John Collier story) about a young poet who tries to escape life’s woes by hiding out at night in a closed department store. And there could be no more representative Sondheim lyric than one sung by a pair of old flames who do reconnect, at least for a few hours, in Follies: “How much time can we hope that there will be?” What unites people as different as Georges’s mother in Sunday, Desiree in A Little Night Music, and an anonymous Japanese peasant recalling his role as a footnote to history in Pacific Overtures is their fierce desire to hold on to whatever moment of happiness they can grab before it inevitably moves out of reach.




NEW YORK MAGAZINE: 'The Sondheim Puzzle' by Frank Rich


Updated On: 12/2/13 at 10:30 AM

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broadwaybabywannabe2
#2Fran Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 12:31pm

I was lucky enough to see FRANK RICH and STEPHEN SONDHEIM in one of their many stage conversations at UCLA a few years back...it was enthralling to be there with these two giants...and this articlae brought back many wonderful SONDHEIM stories that he was asked to tell while on stage...while FRANK RICH was part of SONDHEIMANIA, i had the word SONDHEIMMANIAC added to the URBAN DICTIONARY because of my love for this man's work..i subscribed to HBO just for their upcoming HBO special on Dec 9th... can't wait!

PalJoey Profile Photo
PalJoey
#2Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 1:50pm

I somehow missed the stage conversations and now I can't believe I let them go by.


After Eight
#3Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 2:48pm

"A perfect way to start a Monday"

I can't think of a more perfectly imperfect way to start a Monday, or any other day, for that matter.

When was the last time Sondheim wrote a new show? And yet the drumbeating continues day after day after day after day after day after day.... Pa-the-tic!

We're constantly told on this board that time marches on, that we have to move with it and embrace the new. Yes, embrace the new, except where Mr. Sondheim is concerned.

What a joke!

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Reginald Tresilian
#4Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 2:58pm

Thanks for posting, PJ!

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SonofRobbieJ
#5Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 3:26pm

Beautiful article! Thanks for bringing it to my attention, handsome!

Kad Profile Photo
Kad
#6Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 3:47pm

A wonderful (and actually insightful) article. Thanks for posting.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."

SonofRobbieJ Profile Photo
SonofRobbieJ
#7Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 4:09pm

My biggest take-away is the 'let's go eat where no one has been' moment towards the end. I need to start doing that!

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sondheimfan2
#8Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 4:26pm

I would have missed this if PJ had not posted it. Thank you! It made my day.

FindingNamo
#9Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 5:50pm

I'm really glad you posted it too. A nice long distraction at work was just what I needed.


Twitter @NamoInExile Instagram none

#10Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 6:38pm

After Eight is clearly the type of guy who likes to pull the hooks out of fish.

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themysteriousgrowl
#11Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 6:42pm


He impersonates a person better than a zombie should.


CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES

PalJoey Profile Photo
PalJoey
#12Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 8:51pm

My biggest take-away is the 'let's go eat where no one has been' moment towards the end. I need to start doing that!

Robbie--I live in Sondheim's neighborhood, a block and a half away.

Let's go bang on his door and yell, "Hey, Steve! We just ate at that new Chinese place! HAVE YOU BEEN THERE YET? Don't have the Sesame Noodles--WE ALREADY HAD THEM ALREADY! Hey, Steve! Steve! ANY SPARE RIB THAT WE CAN SPARE WE'D BE GLAD TO SHARE!"

I think he'd think that was real funny, don't you?


jas1234
#13Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 9:58pm

A wonderful love letter to Mr. Sondheim but not exactly a balanced piece, I think.
When Rich cites the unfairness of the media to Sondheim, he notes that critic John
"Lahr thought nothing of condemning the about-to-open Sweeney Todd...without seeing it or hearing it..." Isn't that what Sondheim did when he wrote his highly publicized diatribe to the New York Times about "Porgy and Bess", the Paulus-Parks production (excuse me, The Gershwins Porgy and Bess)?

Updated On: 12/2/13 at 09:58 PM

PalJoey Profile Photo
PalJoey
#14Frank Rich on Sondheim in New York Magazine
Posted: 12/2/13 at 10:55pm

You miss the point. John Lahr is a professional critic.


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GavestonPS
#15Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 6:45am

^^^^^ Moreover, Sondheim didn't trash the Paulus production. He took exception to her remarks (and those of her co-stars) in the New York Times. In particular, Sondheim objected to the Gershwin estate omitting Dubose Heyward's name when it was decided to add authors' names to the title. Sondheim further objected to the implication that P&G required "fixing". It wasn't necessary to see the new production to hold these opinions.

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CarlosAlberto
#16Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 7:34am

Thanks PJ, I missed this article yesterday. It's was a great read.

jas1234
#17Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 8:07am

Reportedly Paulus and Parks felt they had been misquoted and the so-called changes that Sondheim criticized were eventually abandoned or never really considered. Just think it's odd that he would publicly criticize other artists without verifying what they had actually said or were doing. Wondered if he ever saw the production and commented on it?

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NYadgal
#18Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 10:42am

Adding my thanks for posting this, PalJoey!

I loved reading it. And would have missed it if you hadn't posted.
Thanks for all of your wonderful contributions.


"Two drifters off to see the world. There's such a lot of world to see. . ."

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Sally Durant Plummer
#19Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 11:37am

After 8, why is it that you feel the need to post on every single Sondheim thread just to bash him. It's not like you don't know it will be about him, you read it EXPLICITLY to make sure everyone knows that you think Sondheim destroyed musical theatre. I repect everyone's opinion, even if I don't understand it, but why do you have to force it on people who, based on the title of the thread, feel the polar opposite of you? Even if you hate Sondheim and his work, many people love him and his work has changed their lives. Without him, I wouldn't be into Musical Theatre now, and that's not something I want to think about. So, please stop forcing your opinion on others who don't agree with you.

PalJoey, thank you so much for this wonderful article, it was indeed the perfect start to a Monday Morning.


"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir

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tazber
#20Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 11:52am

That was one of the best reads I've had in awhile. Thank you so much for sharing PJ.


....but the world goes 'round

daredevil
#21Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 12:41pm

Enjoyed the article---however I am extremely puzzled by Rich's inability to understand the uniqueness of much of Merrily We Roll Along. Yes, the plot is flawed, but the second act truly captures the exuberance of the musical theater in the late fifties. And from Good Thing Going to Our Time, the music is brilliant. For some reason, even after 32 years, Rich shuts all this out. I just wonder why the chemistry between he and the show never seems to click.

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PalJoey
#22Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 1:23pm

You had to have seen the original production. It was monumentally disheartening.


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Scripps2
#23Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 4:41pm

“London is like New York, only more so,” he snapped at once. “You give the audience something really vulgar, and they’ll go for it every time.”

Lol.

And not much has changed in the last forty years!

Thanks for sharing PJ.

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best12bars
#24Frank Rich on Sondheim in New York Magazine
Posted: 12/3/13 at 6:37pm

A wonderful article! Thanks very much for sharing it, PJ.


"Jaws is the Citizen Kane of movies."
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