I know it's been suggested here before, but definitely Darling of the Day.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Rags and 1600 Pennsylvania Avenue even though I have a better chance of seeing the former happen in my lifetime.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
MACK & MABEL! Apparently Jerry Herman refuses to have Encores! do one of his shows, which is such a shame, that would be such a terrific show for them to do. Then there's BALLROOM (sans Tyne Daly) and GOODTIME CHARLEY. For their Off-Center, my dream list includes DAMES AT SEA and FLORA, THE RED MENACE. And they should bring back the Summer Stars series with a production of SHE LOVES ME.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
I'd rather see a full revival of CITY OF ANGELS, with all of the wonderful atmospheric elements a large-scale production can offer.
I'd love to see DARLING OF THE DAY featuring Victoria Clark or even Bernadette.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
^Blitzstein's THREEPENNY is being given a new production by Atlantic Theatre Company next season.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Me, I'd like to hear a score I've never heard (although I'm sure that the original orchestrations for many of these are lost):
La, La, Lucille (1919) Gershwin Tell Me More (1925) Gershwin Song of the Flame (1925) Stothart/Gershwin Yes, Yes, Yvette (1927) The Five O'Clock Girl (1927) Ruby/Kalmar Keep Shufflin' (1928 ) Waller Treasure Girl (1928 ) Gershwin Simple Simon (1930) Rodgers/Hart Red, Hot and Blue (1936) Porter Hooray For What! (1937) Arlen Between the Devil (1937) Schwartz/Dietz Higher and Higher (1940) Rodgers/Hart Hold on to Your Hats (1940) Lane/Harburg Billion Dollar Baby (1945) Comden/Green Beggar's Holiday (1946) Ellington Texas, Li'l Darlin' (1949) Mercer Carnival in Flanders (1953) Rome Sandhog (1954) The Vamp (1955) Shangri-La (1956) The Body Beautiful (1958 ) Bock/Harnick The Conquering Hero (1961) Charlap 13 Daughters (1961) Dude (1972) MacDermot Molly (1973) A History of the American Film (1978 ) Mel Marvin/Durang Saravà (1979) Mitch Leigh Oh Brother! (1981) M Valenti
Newintown, I love the score of OH BROTHER, and your post inspired me to see what the show's composer Michael Valenti has done since then. It turns out that he has composed lots of music since that show, including an entrance song for the Pope (!), but sadly it appears that he gave up musical theater. Michael Valenti
If it happens that certain cast members are cheating on preparation time for THE MOST HAPPY FELLA (just a hunch), I think Encores! should perform (and record) THE GOLDEN APPLE, and abandon any pretense of the old "time limitations" arguments.
Plain and Fancy just doesn't hold up anymore. It has a couple of nice songs and helped further Barbara Cook's career, but I saw it several times in summer stock at intervals of over ten years, and the second was strictly awful -- and Shirl Conway was in it.
Another vote for OH, BROTHER. The "Man"/"Tell Sweet Saroyana"/"What Do I Tell People" section of Act Two is one of my favorite stretches of Cast Album, period. Beautiful music, unsurpassable singing, and finally just all-out Musical Comedy Joy when Judy Kaye and a barbershop quartet suddenly turn it all into a "Lida Rose"/"Will I Ever Tell You" double duet. And those orchestrations! I know it's a title with zero recognition beyond our little clique of obsessives, but I think it would be killer.
And personally, "Dude" and "Best Little Whorehouse Goes Public" would comprise the rest of my Encores dream season, which is why I'll never run Encores.
"You pile up enough tomorrows, and you'll find you are left with nothing but a lot of empty yesterdays. I don't know about you, but I'd like to make today worth remembering." --Harold Hill from The Music Man
How could I forget about SEESAW? That's probably my number one, actually.
Fashionguru, some people have said on the board that Herman doesn't want to see his shows done Encores! style, he wants lavish productions of his shows apparently. I'm not sure if MACK & MABEL counts, there was the Reprise LA production with Jane Krakowski and Douglas Sills that was rumored to transfer to Broadway, and I believe Reprise is similar to Encores.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"