A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
just a reminder. Letterman is airing right now on the east coast.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Thanks for this, watching it now in chicago. I wonder what they'll do.
<------ Me and my friends with patti Lupone at my friends afterparty for her concert with audra mcdonald during the summer of 2007.
"I am sorry but it is an unjust world and virtue is only triumphant in theatricle performances" The Mikado
And Tom Hanks, promoting LUCKY GUY (like the show needs it...).
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
I'm sure the number is much better in the theatre, but that didn't translate well.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
I agree, that performance felt awkward. They can't do most of the songs, however, without the trapeze and other set pieces. I really hope they do "Magic to Do" for their Tony performance..
I thought the tricks came off very well as far as getting the audience's attention. I do agree; I bet it's better in the theatre. Still, the studio audience seemed into it.
I know the Manson Trio is a classic piece of choreography, but out of context (and with today's audiences hardly recognizing what it is), it sadly doesn't translate. I bet they wanted to feature some circus, and Simple Joys was the only one they could feasibly do on that stage. It seemed like the camera didn't know what to focus on. Sounded like the studio audience liked it though. The tricks are very impressive live.
I thought the performance was okay but nowhere best the greatness I saw live. Did they cut the dancers from this performance and only use the acrobats? The number felt a little empty. It also seemed cramped on the small stage. But I think what really killed the number was that everybody seemed extremely nervous, including Patina, which showed in her singing.
Perhaps it's the same bite you speak of, Curtain. I'm saying this version didn't translate. And yes, as much as it's nice to see two sexy men behind Patina, I don't know how I feel about the gender swap in this situation. (Basically, I think we agree.)
You know, I'd love to see Andrea Martin just sing "No Time At All." No need to do the staging. Her comic timing alone would make a great TV performance.
I liked their performance. I don't know much about Pippin, but that performance intrigued me. I have no doubt that the live performances on Broadway would be spectacular! Hope to see it soon!
Last night, I suddenly remembered that it was on Letterman. So, I rushed to my tv and Tom Hanks was going on and on. He was funny though. I then dvr'ed the rest of the show. I watched it this morning. Very impressive.....especially Orion Griffith's thighs. : )
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
Agree that all of what was shown is much more impressive in person and in context. I thought to myself while watching..."would this intrigue me to pay to see this show?" Unfortunately I would think not for most who aren't Broadway fanatics.
I haven't seen the revival yet so I can't comment on how this performance compared. I liked it. I've been wondering how the circus stuff would actually be integrated in the production and now I have a taste of it. My exposure to Pippin is limited to the 30 second ad for the original show, performing Magic to Do in a fundraiser once, and playing selections from the show at various auditions. I saw enough here to make me want to see the full production when my schedule opens up again.
Something did seem off in The Manson Trio and I don't want to blame the actors. I think the camera cuts and Letterman's stage took away from it. Projections and a few props can't hide that it's a small stage with visible wings. The costumes didn't pop like they should on the backup dancers.
Simple Joys looked better on that stage but it was cluttered and the camera jumped too much. I would never imagine doing that song as promo for Pippin. I did enjoy it still because it got me thinking about the approach to the show and Patina sounded great on it.
I enjoyed it, especially Orion Griffiths' thighs and abs. If I had not seen the show already I think I would have thought it was interesting, but not "all that." Seeing this number on stage though is a completely different experience; much more thrilling and mind blowing.
"The price of love is loss, but still we pay; We love anyway."
It started off slowly with an out of context song/dance meaning nothing without the story. "Simple Joys" really tells Pippin's conflict. The backup performers were amazing. However the Broadway stage includes so much more depth and height for a fuller experience. Some might be left wondering why the title is "Pippin" as he was not represented. All that being said, I could watch Orion flip, kick, smile, twirl onstage all day!
It seems in that number the tricks were just tricks, no storytelling, what do the hula hoops have to do with the song? And is Pippin in the number onstage?