^ I think that silently died once the musical became a mega success. As a WICKED fan, I have to say that many of its fans do not do the majority of us any favors. I have seen WICKED many times and each time, people have been moved to tears by its story (and no, not just tweens, but a lot of adults and elderly people.) Its just really unfortunate that many fans are....lunatics. Sorry to be blunt but its true. I have never gone to do the stage door for that very reason. Its embarrassing. And coming on here and seeing many "fans" of the show act like morons makes me kind of angry. And it has given WICKED a bad name because of it. But back to the topic. Universal, in my opinion, has to be careful with this. I think where the true beauty of WICKED comes out is during the darker scenes. If you go back to the original cast, and more recently, the Dutch/German casts, the darker edge of the musical showed. I'm not saying that there aren't fluff moments, because there is. But "No Good Deed", "For Good", "March of the Witch Hunters"," No One Mourns the Wicked" and various others can be truly haunting. And I think in order for the movie to be remotely good, they will have to delve into both aspects of the script, but touch a bit more on the dark side. Sorry for the grammatical errors. I am hardly keeping my eyes open right now haha
"Life in theater is give and take...but you need to be ready to give more then you take..."
If by rabid and lunatic fans you guys meant me, I' sorry to disappoint you but I'm not. Wicked is not remotely my favorite show, I just happen to get very excited every time a movie musical is being made.
Fingerlakesinger, I agree with what you said about the darker themes, that's why they need a director with a clear and innovative vision. As long as he gets real singers and doesn't butcher the score, Tim Burton would be ideal for this project. Afterall he already brought to life, beautifully, another fantasy land, wonderland.
If they're doing a film that wants to explore the truly dark themes of the story, than get a Del Toro, Cuaron, Fincher, Demme, or to truly bring out the fvcked up world of Oz maybe even Gilliam.
Those are all great choices, specially Cuaron. Yes, Burton might seem too mainstream nowadays, but remember this is a very commercial project, and Burton is one of those few directors who can be considered household names for most of the population. Plus it needs dark elements, but the whole piece can't be dark. I personally really love his style and I think he was successful in transforming the wonderland America knew and loved into something new. Oz is deeply engraved in the American culture as a very particular world so it will be a bit tricky to transform it without taking out the classic elements which the audience already expects.
If Burton's Alice in Wonderland is the bar you want to set for Wicked, well...
If they wanted to explore the darker elements of the story, they'd need to get rid of Winnie Holzman's lousy book, which turned a complex, pitch dark novel into a teen rom-com after school special.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
No, obviously I want Wicked to be much bigger than Wonderland, but overall I really liked the film. Burton was my first thought, but certainly there are better suited directors for this project.
To be honnest I can't really picture a musical with a song like "Popular" being a dark piece.
Aronofsky is indeed an isnpired choice for this project. He was my first choice for Jekyll and Hyde as well.
Updated On: 2/23/13 at 10:33 AM
Burton used to do dark very well, until about 10 years ago when he decided he could patent his German Expressionist angles and jerky spirals and make bank.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
The most recent rumor has been that Universal is courting Stephen Daldry to direct the WICKED movie.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.