The latest developments on what I've been calling The Weirdness of Rebecca. Ben Sprecher, one of the two lead producers of the imploded musical, gives an interview to the New York Times, attempting to explain, among other things, why he lied to the reporter.
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
It seems to me as the facts are coming out he was indeed duped by a very skilled con man. As the Bernie Madoff case made clear even sophisticated, successful people can be taken by a skilled hustler.
I am a firm believer in blaming criminals for being criminals and not their victims for being victimized.
Skilled? Hotton was exposed in five minutes once someone actually bothered to look into his "investors".
And Sprecher may wish to play the victim, but don't forget he was responsible for other people's money as well. He is a professional producer. It's his job to ensure the funds he raises are legitimate.
Wow. I'm really not fond of calling out inappropriate rape metaphors when carelessly used by insensitive douche bags because language is fluid and we shouldn't allow words to have so much power, etc., but that, Ben Sprecher, is an inappropriate rape metaphor.
Let's work the metaphor backwards, shall we?
Mr. Sprecher says he was "raped" by a con artist who bilked him out of commissions on investments he never delivered, ultimately leading to the loss of a small personal fortune and the collapse of a Broadway musical. A casual Google search reveals that this conman was no stranger to fraud lawsuits well before Rebecca warbled its way over from the Continent, and that Mr. Sprecher should've known better. Instead of coming clean about his world-destroying lack of aptitude, Mr. Sprecher then indulged in lying to the press, hiding the truth from investors and lashing out at email boogeymen before eventually couching himself in a sexual violence metaphor.
That isn't actually rape; the closest analogy that I can think of is a woman who drunkenly thought she let an NBA team into her vagina, was disappointed to find out it was actually just Flava Flav and his entourage, and then squawked to the National Enquirer that she was raped.
I guess what I am saying is that Mr. Sprecher should just shut up and go away? Yes, let's do that.
The spectacular rape, With costumes ordered from the East, Requires rehearsal, And takes a dozen men at least, A couple of singers, And a string quartet, A major production, Requires a set
CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
...except that in today's society, it is most commonly linked with one.
Ok, well there are two ways to approach this matter. First, you could decide that he did compare himself to a female being raped (sexually) and get offended. Second, you could decide that he used another meaning of the word which, although might cause you look twice because of the common use of the word, isn't really that offensive. Isn't it just easier to do the latter? I never thought he was literally comparing himself to someone being raped.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Men can be raped, too, qolbinau. And he is saying he was violated, in the same way rape victims are. That cavalier use of the word to describe being violated or overpowered or whatever is taking the edge and importance of the word from men and women who have actually been raped.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
The fact is that words and definitions change over time. Very rarely will people now use it as "an act of plunder, violent seizure, or abuse; despoliation; violation"- unless in sexual connotation.
In the way Sprecher uses it comes off melodramatic at best.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I guess, I see your points. He probably shouldn't have used the word.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000