HONEYMOON IN VEGAS to Open on Broadway This Fall

chrisampm2
Broadway Star
joined:5/26/07
The seating capacity is only 100 seats less than Paper Mill. Don't know about the playing space there, but the Atkinson seems pretty standard for a mid-sized house. I think it's got a much better shot there than at the St James/Palace size or in the energy black holes like the Marquis.
CabaretUSA
Swing
joined:12/30/12
As to Brantley, I believe it is the policy at The Times to NOT drastically reverse an out of town review once it transfers. If Brantley gave it a glowing review at Papermill, guaranteed, he will like it at The Atkinson.

The only recent exception to this rule is when Brantley insisted on reviewing PIPPIN in town and semi-reversed Isherwood's ART rave. But, even then, this was different reviewers, which is not their self-imposed rule.

My guess is producers pleaded with The Times that it is mostly a Times' rave that moves the show into town so "please don't trash us and make our investors lose all their money since we raised it on your recommendation. if you don't like it, tell us in Connecticut."

But, don't quote me.
mattmarkowski99
Understudy
joined:5/2/14
Previews are starting November 18th and it is opening January 15th!!! All the stars from the Paper Mill Playhouse are returning!!!
Sutton Ross
Broadway Legend
joined:7/20/13
Very good to know, thanks!
"Am I sad Joan Rivers is dead? Nope. Anyone who says "They got to live rent free for more than a decade!" in regards to the 3 Cleveland women who were raped, tortured, and imprisoned for 10 years should probably burn in hell. Girl, bye!" -MKL
AKarp2013
Featured Actor
joined:7/25/11
I'm very excited for this and am looking forward to seeing it!!! But is it just me, or does this seem to have a lengthy preview period? Previews begin November 18 and Opening Night is January 15.
Billy Bigelow
Chorus Member
joined:8/28/13
That does seem like a long preview period.

I am excited to see this though. I have been anxious to see Rob McClure do something else after being very impressed with his great performance in the mediocre Chaplin.
RippedMan
Broadway Legend
joined:8/14/05
It is long, but I'm sure they didn't want to open it around the 15 of December and it get lost in all the Christmas/New Year mess. But now it can be open and capitalize on all the tourists and open during a quieter time.
Mr Roxy
Broadway Legend
joined:5/17/03
Opening in January - the start of the 3 month drought on Broadway? This does not seem to make to much sense

Re the comment re Chaplin. Disagree it was mediocre but that is your opinion. Nothing more & nothing less.
Cynicism is an unpleasant way of saying the truth - Lillian Hellman.
BroadwayNYC2
Featured Actor
joined:6/16/13
So it is only our opinion if the show is bad/mediocre, but as long as Roxy likes it, it is fact.

Get over it.
Mr Roxy
Broadway Legend
joined:5/17/03
For the millionth time, everyone is entitled to their opinion. Because you say a show is mediocre does not make it so and neither is a show good if I say it is. Apparently some on this board are of the opinion their view is the only one. I liked it and you did not. Case closed. It is history .
Cynicism is an unpleasant way of saying the truth - Lillian Hellman.
neonlightsxo
Broadway Star
joined:7/29/08
November previews with a January opening is what BEAUTIFUL did. Seemed to work pretty well for them.
AEA AGMA SM
Broadway Legend
joined:8/13/09
"Opening in January - the start of the 3 month drought on Broadway? This does not seem to make to much sense"

At the same time they might be trying to delay official reviews from appearing until after the potentially lucrative holiday season. They can use pull quotes from Brantley's review of the Papermill production to lure ticket buyers before the official opening.
Did you know that every day Mexican gays cross our borders and unplug our brain-dead ladies?
mjohnson2
Broadway Star
joined:11/2/13
Just to let you know, that will be 66-67 previews by the time it opens, which is a LOT. (Beautiful only had 60). Hopefully they can make it into something good, as the Papermill version had good elements, but didn't feel great as a whole.
EDIT: I'm now a leading actor! Woo!
Please note: any opinions regarding shows or otherwise that are stated by this account, no matter how they are presented represent a personal opinion and should not be taken as an attempt to convey facts and disagreement with my opinion is not only welcome but I highly encourage it to inspire lively and healthy debate.
Updated On: 6/18/14 at 02:29 PM
haterobics
Broadway Legend
joined:3/29/14
Audience Rewards presale just started this morning!
formerly oasisjeff on here.
Sutton Ross
Broadway Legend
joined:7/20/13
Great to know, thanks sweets!
"Am I sad Joan Rivers is dead? Nope. Anyone who says "They got to live rent free for more than a decade!" in regards to the 3 Cleveland women who were raped, tortured, and imprisoned for 10 years should probably burn in hell. Girl, bye!" -MKL
CurtainPullDowner
Broadway Legend
joined:11/4/04
As stated above, I would guess they are going to use the Brantley review to build word-of-mouth during a long preview period, which also contains the Holiday crowds. It's a good plan (if it works).
Mystic Pasta
Understudy
joined:2/19/09
Seems like the producers are smart and taking a cue from Bullets over Broadway and opening in a theater that is not hard to make look full on a slow weeknight. I saw the show at Paper Mill and was surprised the Times liked it as much as they did. Charles Isherwood would likely have not been so cheerful.
CapnHook
Broadway Legend
joined:5/12/03
Or they got a theater that was avail at the time....
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
disneybroadwayfan22
Broadway Legend
joined:2/10/13
Broadway Shows: Phantom of the Opera (January 2011), Mary Poppins (January 2011), Anything Goes (August 2011, W/ Sutton Foster, Joel Grey, and Laura Osnes), The Lion King (August 2011), Godspell (June 2012, W/ Corbin Bleu), Matilda the Musical (Original Broadway Cast, May 2013), Newsies (May 2013), Cinderella (W/ Carly Rae Jepsen and Fran Drescher, May 2014), and Aladdin (OBC, May 2014). Pre-Broadway: If/Then (November 2013/World Premiere, W/ Idina Menzel, LaChanze, and Anthony Rapp). National Tours: Wicked (October 2012), Beauty & the Beast (January 2013), & Jersey Boys (November 2013)

Met Idina Menzel & Sierra Boggess (November 2013)
AKarp2013
Featured Actor
joined:7/25/11
little_sally
Broadway Legend
joined:1/15/04
Rob McClure had me interested in this already but now with Matthew Saldivar, I definitely have to see this show.
A little swash, a bit of buckle - you'll love it more than bread.
Jon
Broadway Legend
joined:2/20/04
Everyone likes to point out JRB's lousy track record on Broadway. Never mind the fact that THE LAST FIVE YEARS is done by dozens of theatres around the world every year. it would not surprise me if the total since 2002 is close to 1000 productions. JRB is crying all the way to the bank.
little_sally
Broadway Legend
joined:1/15/04
I'm sure Songs for a New World is done to death as well.
A little swash, a bit of buckle - you'll love it more than bread.
Hairspray0901
Stand-by
joined:12/29/08
Does anyone happen to know why the first row of center mezzanine and the first 4 seats right / left mezzo are blocked off for every performance? Was hoping to purchase front row center mezz seats but I can't seem to find one date they're available and I highly doubt that entire row / 4 seats on the left and right are sold for every performance.
theatreguy
Broadway Legend
joined:7/31/03
What dates are you looking at? I just checked a few random ones in December and January - plenty of front mezz seats available for them.
haterobics
Broadway Legend
joined:3/29/14
"Does anyone happen to know why the first row of center mezzanine and the first 4 seats right / left mezzo are blocked off for every performance?"

Some of those might be the seats they are saving for the house or reviewers.

They also don't want to release the whole house until they get a sense of how the show is being received. If demand starts rising, those could be premium seats, or if they were already going to be premium, they could charge more for them than they might presently expect.

A lot of shows now seem to hold off like that. Of course, if the demand doesn't jump as fast as they might like, they will eventually become normal priced seats.
formerly oasisjeff on here.

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