I can't say I'm excited about this, but curious to see how it goes. I could get excited. I enjoyed the movie, and can see that it could work musicalized but.....I just feel sort of "meh" about it. I'll leave a window open though, for optimism.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
"Can't we even be given a respite of like two seconds to enjoy the summer?"
Well….you could keep your hands off a keyboard, that might help.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
My favorite musicals are Hello, Dolly! , My Fair Lady, Cinderella (the REAL R&H one), No, No, Nanette, Mlle. Modiste, Babes in Toyland, Dear World, Milk and Honey, Tenderloin, The Happiest Girl in the World, Little Mary Sunshine.... and the list goes on.
Mr. Roxy, I assure you I'm not being snarky but 're doesn't mean anything unless it's attached to the end of another word: we're, they're. It's a contraction for the word ARE.
What you want is re:
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Unless the songs are out of this world and the show is amazing, I don't see how this can do better than something like Big Fish. From the 2013 preview video included in the article about it, the show looks cheesy and the songs snippets don't seem great. Is Tony Danza a big enough star to don this on Broadway or will they get a bigger name? As for all the a-holes who jump on A8 - he saw the show? Did you? He was right about both Gentleman's Guide and Bridges. Ya he's got some attitude about him, but as Kander and Ebb wrote for Lauren Bacall: "When You're Right, You're Right," and it's ..."remarkably rare when he's wrong."
Just because you agree with someone doesn't make their opinion "right".
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Who knows? It seems improbable, but maybe Brown has learned enough by now to be able to write something that appeals to more than a small minority.
However, look at his track record:
Songs For A New World - 1995, closed after 3 weeks (only 12 performances) Parade - 1998, closed after 85 performances (won the Tony for score, but against such bottom-of-the barrel competition, background music was one nominee) The Last Five Years - 2002, closed after 2 months Urban Cowboy - 2003, closed after 60 performances (purists may not want to include this show, as he only contributed 6 songs) 13 - 2008, closed after 105 performances The Last Five Years (revival) - 2013, closed after 6 weeks Bridges of Madison County - 2014, closed after 100 performances
Although fans will like to blame the failure of these shows to run on things other than quality (marketing, direction, etc.), the track record thus far shows an inability to connect with an audience big enough to break even (let alone turn a profit).
It's too bad that the current economics of theatre don't allow a writer to present material more frequently; Lerner and Loewe, for instance, had 3 full flop productions between 1942-45 before they had their first modest success with Brigadoon (one of those three closed out of town, but they still had the benefit of learning from a full commercial production). Brown has had only 4 and 1/4 shows, 1 revival, and a revue in 19 years.
But, as said before - who knows? This one might do it for him!
Jason Robert Brown has done something with Honeymoon in Vegas he has never done before. He has written a hummable, likable score in the style of a sixties musical. I loath what passes for music on Broadway (Violet, If Then, Once, Next to Normal. I am so glad we are getting a traditional yet intelligent and brand new Broadway Score.
Honeymoon in Vegas--(as seen at Papermill) the musical improves on the movie-- something that most movie to Broadway shows don't do. Bullets over Broadway comes to mind about taking an iconic movie and making it mediocre. Conversely, The Producers and Hairspray hit it out of the park and improved on wonderful source material.
The plot is lots of fun. who doesn't like New York, Las Vegas and Hawaii for settings. Never mind the flying Elvises.
I think this show is gonna delight a lot of people as it did me at Papermill.