Cast Your Nets: Last Days of Judas Iscariot


                If one were to go looking for potential subjects for comedy, chances are Judas Iscariot and his betrayal of Jesus probably wouldn't be tops on most people's lists. Afterall, it's a bit of a stickywicket for about the, oh, I don't know, 2.1 BILLION Christians here on planet Earth. So, if you're going to go trawling for jokes in these particular waters you best be one helluva talentEd Fisherman.

                Fortunately, American playwright, screenwriter, director and actor Stephen Adly Guirgis is quite an angler, as he explores many angles, comic, tragic, psychological and philosophical in his award-winning play, "The Last Days of Judas Iscariot," now at The Mobtown Players theater.

                Kudos to director Mark C. Franceshini who had the daunting task of putting this intriguing courtroom drama with a cast of 15 actors on Mobtown's diminutive stage.  The two-act, 2 ½ hour production seemed to fly by, particularly given the caliber of acting which was excellent; as my theater companion noted several times, the casting was spot on, with professionals clearly reveling in their colorful roles and clever, thought-provoking and witty lines.

                "Last Days" opens with a touching monologue by Deb Carson as Henrietta Iscariot, though we do not know as the curtain rises that she is the mother of Judas. We only can feel her pain, that of a mother who is forced to bury her own son, abandoned by friends and family. She speaks of her son's birth and how in that moment she embraced a love that knew no equal.  It's a moment designed to, from the start, move the audience into a new perspective.

                At this point we switch to comedy as Jessica Woodward Baker appears as the winged angel, Gloria, who proceeds to provide us with some exposition as to where we's a place called Hope which evidently is a step down from Purgatory.  We're in a courtroom, with a judge in robes and wig (Jeb Beard as Judge Littlefield), a bailiff dressed like a "In Living Color" fly girl (Rachel Lee Rash), and  a variety of other wandering if not lost souls who come to comprise the jury.

                Quickly dispatching characters like Thorseen the Implacable (Wil Neumeyer) and Benedict Arnold (Hugh Carson) with a gavel smash and a shouted "NEXT CASE!",  Littlefield eventually make his way to the case of Judas thanks to a tenacious defense attorney (Melissa O'Brien as Fabiana Cunningham) and the persuasive powers of Saint Monica (Kelly Rene Adams).

                Adams was a crowd favorite in her portrayal of Saint Monica as a tough, black, spitfire who explains how she, as the mother of St. Augustine, "nagged" her way into beatification.  She uses her skills to nag God into giving Fabiana a writ to force the judge into hearing Judas' case.

                That is, if Judas (Brian S. Kraszewski) even cares. "When I first saw him, I thought he looked retarded," Saint Monica quips, trying to rouse him out of a catatonic stupor with comic references to "30 pieces of silver" and invitations to "let's go betray someone, you feel like betraying today?"

                Michael Baker plays the sycophantic Yusef El-Fayoumy (or "El Fajita" as Judge Littlefield calls him), the prosecuting attorney in suit-and-fez with swarmy, smiley, hand-wringing delight when he's not trying to win the favors of Fabiana who has nothing but disdain for him.

                Witnesses from history are summoned, including Sigmund Freud (Hugh Carson), Caiaphas the Elder (Jeb Beard), Mother Theresa (Kathy Blake) and Simon the Zealot (Will Carson) whose collective insights attempt to delve the true relationship between Judas and Jesus. Was Judas actually "Jesus' heart"? Was Jesus closer to Judas than the other apostles? Did Judas betray Jesus in order to force him into a role the Zealots had envisioned for the Messiah, as violent revolutionary? Was Judas actually a GOOD person?

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Daniel Collins A communications professional for 25 years, Dan Collins was a theater critic for The Baltimore Examiner daily newspaper (2006-2009), covering plays throughout the Baltimore-Columbia area including Center Stage, The Everyman, The Fells Point Corner Theater, Mobtown Players, Vagabond Theater, Cockpit in Court, Spotlighters Theater, The Strand, Single Carrot Theater and others. Mr. Collins has been a reporter, features writer, editor and columnist since 1984, including stints with The Washington Times and the Times Publishing Group (later Patuxent Publishing and now part of The Baltimore Sun) in Baltimore. His freelance writing career has included his work for the Examiner as well as other publications including Baltimore Magazine.

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