Sarah Flinton

Sarah Flinton Sarah is a first year drama student living in Guildford, being originally from Sheffield she is a true Northerner at heart. Keen to perform and write, she wants to be as involved in the performing arts industry as possible. As she is training at the moment she's still learning and developing a wide range of things, from ballet to creative writing.




MOST POPULAR ARTICLES

BWW: MATILDA, Relaxed Performance, Cambridge Theatre,
June 16 2014
BWW: MATILDA, Relaxed Performance, Cambridge Theatre, June 16 2014
June 20, 2014

The Royal Shakespeare Company has been running relaxed performances in Stratford-Upon-Avon since 2013, but Sunday marked their first ever relaxed performance - of Matilda - for a West End audience, bringing the stage adaptation of Roald Dahl's courageous and loved tale to audiences affected by autism and other learning disabilities.

BWW Reviews: ALL MY SONS,
Open Air Theatre, May 20 2014
BWW Reviews: ALL MY SONS, Open Air Theatre, May 20 2014
May 21, 2014

Having never been to the Regent's Park Open Air Theatre before, all I knew was the buzz and excitement other people gave off about previous shows there. Walking through the main entrance, immediately there's a warming and unique atmosphere; perhaps it's just because it's that time of year when we can finally sit outside in England with only a small chance of being rained on. It's a new season at the Open Air, and what better way to begin than with Arthur Miller's classic 'All My Sons', directed by Timothy Sheader.

Reflections: MISS SAIGON Returns To London
Reflections: MISS SAIGON Returns To London
May 6, 2014

The heat certainly is on at the Prince Edward Theatre! Finally Miss Saigon has returned to the West End, and what a comeback it has made! At the second preview, the house was full, and as soon as the first note was heard from the orchestra pit you could hear a pin drop.

BWW Reviews: EARTHQUAKES IN LONDON,
Broadway Studio Theatre, May 2nd 2014
BWW Reviews: EARTHQUAKES IN LONDON, Broadway Studio Theatre, May 2nd 2014
May 6, 2014

The threat of global warming and natural disasters are constantly thrust upon us in the news everyday. We know that one day our homes could be taken from us by an earthquake, tsunami, or a tornado, and yet we, in England especially, all still live our lives, happy as ever, like nothing will happen...

OLIVIERS 2014: Preview - Best New Play
OLIVIERS 2014: Preview - Best New Play
April 11, 2014

Nominees are 1984 (Almeida Theatre), Chimerica (Almeida), Peter and Alice (Noel Coward Theatre), and The Night Alive (Donmar).

BWW Reviews: GHOST STORIES, Arts Theatre, Feb 27 2014
BWW Reviews: GHOST STORIES, Arts Theatre, Feb 27 2014
February 28, 2014

Andy Nyman and Jeremy Dyson's 'Ghost Stories' began in Liverpool back in 2010. Since then it's been seen by over 300,000 people in London, Toronto and Moscow. Despite so many people already surviving watching this show, I still genuinely thought I could be seeing the end of my life in the Arts Theatre in London...

2014 Theatre Preview: Sarah Flinton's Picks
2014 Theatre Preview: Sarah Flinton's Picks
December 31, 2013

We've asked our correspondents to pick out what they're most looking forward to in 2014 - here's reviewer Sarah Flinton's thoughts!

BWW REVIEWS: The Boys From Syracuse, The Union Theatre, Friday 4th October
BWW REVIEWS: The Boys From Syracuse, The Union Theatre, Friday 4th October
October 5, 2013

Written by Rodgers and Hart back in 1938 simply because a musical had never been based on a Shakespeare play before, 'The Boys From Syracuse' is the musical telling of The Comedy of Errors, packed with fun, mischief and playful tunes.

BWW Reviews: DERREN BROWN - INFAMOUS, Palace Theatre, June 27 2013
BWW Reviews: DERREN BROWN - INFAMOUS, Palace Theatre, June 27 2013
June 28, 2013

Sticking to my word, I am going to keep what happened for three hours on the evening of Thursday 27th June a secret. So if you're looking for spoilers or the revealing of Derren's 'magic' tricks then look elsewhere.

BWW Reviews: SLEEPING ARRANGEMENTS, Landor Theatre, April 22 2013
BWW Reviews: QUASIMODO, King's Head Theatre, March 22 2013
BWW Reviews: QUASIMODO, King's Head Theatre, March 22 2013
March 23, 2013

50 years after Oliver! composer Lionel Bart began writing the score and book, this Hunchback of Notre Dame musical finally gets its world premiere.

BWW Reviews: RING, Battersea Arts Theatre, March 13 2013
BWW Reviews: RING, Battersea Arts Theatre, March 13 2013
March 14, 2013

Fuel Presents 'Ring' Battersea Arts Theatre, Wednesday 13th March

BWW Reviews: DEAR WORLD, Charing Cross Theatre, February 13 2013
BWW Reviews: DEAR WORLD, Charing Cross Theatre, February 13 2013
February 14, 2013

Gillian Lynne directs and choreographs this British premiere of the musical fable 'Dear World', with music and lyrics by Jerry Herman

BWW Reviews: MACBETH, Holy Trinity Church, Guildford, Feb 6, 2013
BWW Reviews: MACBETH, Holy Trinity Church, Guildford, Feb 6, 2013
February 7, 2013

Arguably Shakespeare's darkest and most powerful play, 'Macbeth' is selling out in Guildford, and with good reason.

BWW Reviews: BIRDSONG, January 25 2013, Haymarket, Basingstoke
BWW Reviews: BIRDSONG, January 25 2013, Haymarket, Basingstoke
January 27, 2013

This story of sacrifice, courage and above all, love, will undeniably play with the emotions of any audience member. Englishman Stephen Wraysford leads his men through the notoriously infamous Battle of the Somme, whilst passionate and sensitive memories of his former lover Isabelle Azaire replay in his mind.

BWW Reviews: THE TROJAN WOMEN, The Gate Theatre, November 12 2012
BWW Reviews: THE TROJAN WOMEN, The Gate Theatre, November 12 2012
November 13, 2012

Set in a mother and baby unit in a prison, the captive women of Troy await their fate.

BWW Reviews: BLACKTA, Young Vic, November 6 2012
BWW Reviews: BLACKTA, Young Vic, November 6 2012
November 7, 2012

David Lan, the artistic director of the Young Vic Theatre, directs this world premiere of Blackta by new writer Nathaniel Martello-White. Although best known for his work as an actor, Martello-White was determined to challenge and change the perception of black actors in this fresh piece of new writing. Focusing on how limiting the job opportunities are for ethnic minorities, he raised a sensitive issue that is rarely assessed on both stage and screen.






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