Ellen Dostal, currently on hiatus, is a lontime Senior Editor for BroadwayWorld/Los Angeles and a former member of the Los Angeles Drama Critics Circle. She has covered the performing arts community, jazz, and classical music for KJazz 88.1 FM and K-Mozart 1260 AM and has a Bachelor of Music in Performance from the University of Northern Iowa. Her theatre blog, Musicals in LA, is a popular resource for those seeking information about the Southern California musical theatre scene and her archived site Shakespeare in LA, was the go-to destination for actors, creatives and audience members with a love of Shakespeare. Ellen is also a theatre contributor for TheThreeTomatoes.com (The Insider’s Guide for women who aren’t kids). Her best advice is always, "Go see a show!", and when she's not at the theatre, you're likely to find her outdoors listening to the music of nature.
Next on Shakespeare Uncovered, Kim Cattrall goes back 2000 years to explore the epic love story between a Roman General and an Egyptian Queen, two of the most powerful people in the world. She says theirs was an almost sadistic love affair and although she has played Cleopatra twice, she still has questions about the woman.
In the fourth installment of Shakespeare Uncovered - Series 2, David Harewood asks a very difficult question. Could you kill a person you love? Shakespeare made his audience confront that question when he created the character of Othello 400 years ago. It holds a key to understanding how such a strong warrior could end up so vulnerable that he would actually consider killing his wife. Harewood says, 'Whether you love him or hate him, we have to understand Othello. If you don't understand Othello, I don't think you understand yourself.'
This two-man tour de force musical comedy mystery is killing it on stage at The Old Globe in San Diego - or, rather, it's killing someone - and that someone is none other than Great American Novelist, Arthur Whitney. Unfortunately, this is one birthday party the much-hated author will never get to enjoy since he takes a bullet to the head in the first few minutes of the musical with all of his guests in attendance.
Is it sexist or subversive? Morgan Freeman says he's always seen The Taming of the Shrew as a country tale, one that he feels is Shakespeare's most compelling comedy. In the next episode of Shakespeare Uncovered, Freeman takes a look at the play and explores that question, as well as what is at the heart of it all, love.
Les 7 doigts de la main returns to Southern California for a one-night-only performance of Sequence 8, a uniquely theatrical production full of the company's signature acrobatics, at Valley Performing Arts Center on February 19.
In the second episode of Shakespeare Uncovered II, airing at 10:00 pm on January 30th, Christopher Plummer explores Shakespeare's great tragedy, KING LEAR. It is a role he knows well, having played the doomed king in a critically acclaimed production that was directed by Sir Jonathan Miller.
Get ready Shakespeare lovers! Shakespeare Uncovered returns to PBS this Friday, January 30th. Like the first series, the second celebrity-hosted installment will cover a wealth of information, including a look at some iconic performances, historical and biographical data, and new analysis by noted scholars and guests, all of which will open up six of Shakespeare's greatest plays.
A noticeably long, drawn-out silence opens Cabrillo Music Theatre's production of COMPANY as 35-year old Robert (Alxander Jon) comes home to his empty New York bachelor pad. It is the final moment of solitude before the coordinated cacophony of voices begins in Nick DeGruccio's sleekly directed revival of Stephen Sondheim (music & lyrics) and George Furth's (book) 1970 classic.
The stylistic marriage of Shakespeare's language and Tarantino's Pulp Fiction reaps heady rewards for linguists and lovers of indie crime drama in PULP SHAKESPEARE at Theatre Asylum in Hollywood. The runaway hit of the 2010 Hollywood Fringe Festival is reinventing itself in a new production produced by Matthew Quinn and Aaron Lyons. Originally helmed by Jordan Monsell, this iteration is directed by Amanda McRaven and features three returning major cast members surrounded by a new ensemble of players.
Recently, choreographer Dana Solimando took on the monumental task of choreographing Billy Elliot The Musical for La Mirada Theatre for the Performing Arts. The production opened to sold out crowds over the weekend and will run through February 8th. Here Dana talks about making the steps her own and how you've got to be flexible in the theatre because you never know what's going to happen. Here's her behind the scenes look at bringing Billy Elliot to life.
The ensemble effort of La Mirada Theatre/McCoy Rigby's cast of BILLY ELLIOT is an extraordinary accomplishment and especially resonant in a musical that is all about solidarity and overcoming the odds. It also has the kind of opening night story that wins hearts and shows how a company will rally like a family to manage an unexpected, even disastrous, event.
Like many of us, I love words…and I love to lose myself in a good book. But these days it seems like life moves at such a fast pace that there is little time to relax in the embrace of a good story, lost in a world of new ideas and adventures. The truth is - we're all busy. We all have to-do lists we can't possibly burn through in the time we've allotted, and as soon as one task is marked off we add another to our list until it becomes a revolving, unending, and often unmanageable mountain we race to scale at the expense of the view. The result is that we end up exhausted. Can you relate?
"Music was his dream but acting was his passion." That's how Chris Lemmon describes his famous father Jack in JACK LEMMON RETURNS, the 90-minute play with songs that has settled into the intimate black box theater (The Edye) at the Broad Stage. The show is a tribute to the man who meant the world to him, and offers not only a look into their personal relationship as father and son, but also takes the audience behind the scenes with the kind of Hollywood stories you read about but never get to hear firsthand.
In Frank Capra's It's a Wonderful Life, an angel in training named Clarence comes back to earth to earn his wings by helping one man recognize his value in the world. The beloved classic is a reminder to all adults that every man matters and every angel has his own special way of helping those in need.
While the kids are busy getting their pictures taken with Santa at the mall and begging for overpriced toys they'll forget the day after the Christmas, adults know that the place they'll get the most bang for their jingle bell bucks is at the Falcon Theater. That's where the latest Troubie show is roasting its comedy chestnuts in its own unique style while providing one of the wackiest soundtracks to the holiday season.
JOB OPENING: San Diego State University School of Theatre, Television, and Film has a terrific opportunity for the right person to join their Music Theatre Faculty as Assistant Professor, Directing, MFA Musical Theatre Program
ABC premiered the pilot episode of its new medieval musical comedy television show, GALAVANT, at a star-studded event at the Sayers Club last night in Hollywood. The series, from executive producer & screenwriter Dan Fogelman (Tangled, Cars, and Crazy, Stupid, Love), features music by Disney heavy hitters Alan Menken (music) & Glenn Slater (lyrics) and will debut on January 4, 2015 at 8/7c.
Prepare to be thoroughly enchanted by Oregon Shakespeare Festival's transfer of INTO THE WOODS newly arrived at the Wallis Center in Beverly Hills. It is, without a doubt, the most inventive and inspiring production of this Sondheim musical I have ever seen. Amanda Denhert's direction delights at every turn such that watching this INTO THE WOODS left my heart bursting with unadulterated joy, devastated by its unflinching honesty, and breathless with anticipation of each moment to come.
This isn't the first time the Illyrian Players have taken on Shakespeare. In 2011, the company began its provocative theatrical conversation about gender and sex with Twelfth Night, and it has since given LA a BDSM version of The Taming of the Shrew and a gender reversed Macbeth. In addition to Shakespeare, they have produced a number of new plays; bold, edgy works that set them apart from other theatre companies, led by a vision that sees theatre as 'a subversive art form with which to change the world.'
Long before Trey Parker and Matt Stone became famous and transformed the world of entertainment with their hit television series South Park and Broadway phenomenon The Book of Mormon, they were two unknown college student with big dreams. They shared the same wickedly subversive sense of humor and have always written what they thought was funny, regardless of anyone else's opinion. Love 'em or hate 'em, I think you'd agree that sticking to that formula has turned out pretty well for them.
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