Bekah Brunstetter's new play 'I Used to Write On Walls' is full of excellent performances and great dialogue.
'The Coffee Trees', Arthur Giron's transplant of Chekhov's 'The Cherry Orchard' to 1997 Guatemala, is an interesting homage.
Boomerang Theatre's perfect revival of J.B. Priestley's 1932 drawing-room mystery is an edge-of-your-seat delight.
Jessica Hedrick's one-woman show explores the empowering and funny side of anal stimulation.
'Stock Home', by Alex Goldberg, part of the Fringe Festival, is a provocative and multifaceted piece of work about kidnapping and abuse that doesn't shy away from gallows humor or troublesome conclusions.
A new play by Padraic Lillis gets a well-produced production by Broken Watch theatre company.
Alex Goldberg's hilarious new play about marital infidelity is given a wonderfully side-splitting production as part of the Midtown International Theatre Festival
Yet another humorous take on the vampire legend, 'Bloody Lies' is silly and nonsensical if at least entertaining.
Nancy Manocherian's new play 'Guilty' tries to be a gripping portrait of friends in decline, but doesn't quite get a grip.
theAtrainplays, a theatre-without-a-net writing/composing/directing/acting experience, had its 22nd incredible incarnation June 20th, with an all-star cast.
Bob Brader's one-man show about his relationship with his late father is a fascinating monologue in the style of Spalding Gray.
Bohemian Archeology produces 6 of David Ives' less-familiar one-acts with aplomb, making for an enjoyable evening of laughter.
A harrowing play about male bonding, paranoia, and stuffed animal abuse is given a powerful and scary updated production by Working Man's Clothes.
Greg Romero's play 'The Most Beautiful Lullaby You've Ever Heard' is a fractured journey through the lives and hearts of a man and woman.
An engaging revival of a little-seen absurdist work from the 1960s makes some confusing choices.
'Phallacy', the new play about Art and Science currently playing a limited engagement at the Cherry Lane, is a witty and entertaining play about chemistry (both biological and personal).
A series of 8 new plays about sex is less naughty than it thinks it is.
'Fugue', a play about amnesia by Lee Thuna and directed by Tony Award winner Judith Ivey, is an uneven piece, but thanks to some incredible acting, when it's good, it's very very good.
Emerging Artists Theatre presents their Spring EATfest 2007, featuring 9 new one-act plays. I saw three wonderful ones in Series C.
Just opened for a limited engagement as part of the Frigid Festival, We Call Her Benny is a careening roller-coaster of wit, passion and alternative life choices.
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