Billie Roe - Page 2

A successful duo act is like a good marriage. When it really works there's a certain stage chemistry between two performers that's so obvious yet so hard to define. Magically, voices musically blend as one. Stage personas complement each other yet remain individual. There's a charming give and take, a generous sharing the spotlight, and an obvious mutual respect, sometimes bordering on love. Lorinda Lisitza and Ted Stafford have a very good on-stage marriage.

At The Laurie Beechman Theatre last Thursday night, the new dynamic duo of Carole J. Bufford and Eric Yves Garcia performed their fun holiday show, A Christmas Carole & New Year's Yves, to a full house of adoring family, friends, and fans. They were the very picture of the perfect holiday host and hostess.

The month of December has always been an emotional time of the year, especially for our military families; a period to deeply reflect on family and country. Over the past few months in New York cabaret, a few performers have offered up musical testimony on wars, patriotism, and US military veterans. Recently, two singers fairly new to the cabaret scene--Anna Marie Sell and Kim Sutton--staged shows saluting the brave men and women who serve our country now and in the past.

Stacy Sullivan tells the audience she became interested in Marian McPartland when she was asked to sing at her memorial in 2013. With her show last Saturday night at Don't Tell Mama, On The Air: Songs for Marian McPartland (which enjoyed a late September run of four shows at the York Theatre), the multi MAC-award winning Sullivan has created a beautifully crafted, biographically-driven show featuring the original music, the history, and the life of a jazz icon, who was best known for hosting Piano Jazz on National Public Radio from 1978-2011. Now Stacy Sullivan has made us all interested in the amazing Marian McPartland.

According to mythology, the 'Phoenix' was a bird of great beauty, said to have lived 1,000 years in the Arabian wilderness. The Phoenix burns itself to ashes on an ancient funeral pyre, only to rise again from those ashes with the renewed exuberance of youth. Its renewed life cycle symbolizes the immortality of the spirit, the rebirth of idealism, the essence of creativity, and the aura of eternal hope. With her new show at the Laurie Beechman, Visible Phoenix (which opened October 17 and returned last Friday night), multi-award winner Carolyn Montgomery-Forant has returned to the cabaret stage (after a 14-year hiatus to raise her son and run a cafe business) as the very personification of that rare beautiful bird.

Every year, despite a litany of warnings they come to the Big Apple with big dreams. Warnings like: “You have to pay your dues.” “It's a tough business, kid.” “How are you going to survive?” There's no such thing as an overnight success, yet still they come to be at “the top of the heap,” as Kander and Ebb so eloquently put it. The four young performers featured here haven't yet vaulted to the top of the cabaret heap, but they've certainly made their marks with excellent shows during 2014, while exhibiting the potential to get there. The spotlight is already shining on Chrysten Peddie, Angela Dirksen, Rembert Block, and Kristoffer Lowe.

Based on the promotion of their new duo show, Revolution (a four-show run that ends at the Duplex tonight at 6:30), you might have gotten the impression that Dawn Derow and Kathleen France would be engaging in a zany bit of fluff poking fun at American military politics in a Bob Hope USO Show kinda way. But while there is definitely some frivolity and even some biting satire along the way, the women also convey a serious sense of patriotism and reverence for those who have fought and died in America's many wars. In fact, a portion of the audience cover charge is being donated to the Wounded Warrior Project (www.woundedwarriourproject.org).

The expression “Man About Town”--commonly defined as a socially active, sophisticated man devoted to the pursuit of pleasure by frequenting fashionable nightclubs, theaters, and restaurants--might perfectly describe the persona of Sir Noel Coward. Known for his acerbic wit, flamboyance, and savoir-faire, Sir Noel is an icon in theatrical history as a celebrated playwright, composer, director, actor, and singer. Could there be a better subject to explore during an evening of cabaret? In his recent run of five shows at the Laurie Beechman Theatre, Man About Town: The Wit and Wisdom of Noel Coward, veteran singer/actor/director Eric Michael Gillett proved he was more than up to the task of paying tribute to the legendary Coward.

It was the 1980's. The time of ray bans, head bands, and the start of cable television, where music videos on MTV would skyrocket to stardom future pop icons Madonna, Michael Jackson, and, of course, The Artist Formerly Known as . . . Prince. Celebrated early on for his sexually charged lyrics and for experimentally combining various genres of music (funk, R&B, new wave to pop and pop rock), Prince was and still is a one-man musical revolution. He has sold more than 100 million records worldwide, making him one of the best selling artists of all time. For a cabaret performer to take on Prince's challenging discography is not only ambitious, it's extremely BOLD. It would require a singer to have amazing vocal flexibility and power, smoldering sensuality, and strong emotional connections to the lyrics. Rain Collazo displayed all those qualities--and more--in her performance this past Saturday night at Don't Tell Mama.