Video Artist Tom Pnini and DESTRUCTURE to Open 9/7 at Lesley Heller Workspace
Lesley Heller Workspace opens the fall season with Israeli video artist Tom Pnini.
This is his first solo exhibition with the gallery. Pnini's work references silent movies, the natural world, and art history - particularly the study of light and time found in impressionistic paintings. The exhibition will debut his multi-channel video installation, "Ballade to the Double" as well as a short film, "Double Windsor," and collages - all stemming from his fascination with early stereoscopic photography. Stereoscopy, developed in the late 1800's, places two almost identical images side by side. When the images are viewed through a stereo viewer, they combine into one, creating the illusion of depth. If photography looks to a singular decisive moment, what happens when you have two decisive moments? Pnini's inspiration for this exhibition was the exploration of "that split second, that breath of air" between the double images.
"Ballade to the Double" was filmed over a one-year period on the 35 miles of train tracks of the New England Railroad Museum in Connecticut. Each screen depicts the same train journey during a different season of the year, allowing the viewer to experience the passage of time. In each projection the train stops several times along the ride due to an unforeseen interruption: a girl standing in the middle of the train tracks, always in the same location.Her actions trigger a sequence of events that create linear acts across the four seasons.We witness her playing with an antique toy locomotive, placing coins on the track or playing lonely tunes on folk instruments. The toy train reappears in different seasons and the coins are left to deteriorate over the course of the year. These interludes repeat across the four channels simultaneously, appearing as duplicates of themselves like the stereoscopic images of trains that inspired this project.
Also on view is "Double Windsor," a split screen projection, which recalls a specific moment in Buster Keaton's, "The Goat" (1921). While the original scene plays on one side, the recreation starring Howard Pincus, the chairman of the station of the New England Railroad Museum, can be seen on the other.
Pnini's interest in exploring stereoscopic technology is further evident in his collages. He slightly alters antique stereoscopic photographs that document the construction of the Central Pacific Railroad in Nevada.
In "Ballade to the Double," "Double Windsor" and his collages, Pnini explores and formalizes the idea of the double and the two decisive moments in stereoscopic imagery. "They are like identical twins: the resemblance between them is strong, but the observer is looking for what distinguishes them from each other." TP
Tom Pnini (b. 1981, Israel) creates time-based works and large-scale installations. He has exhibited in museums and galleries in New York, Los Angeles, Milan, Toronto, Moscow, and Israel, including a 2012 solo exhibition at the esteemed Chelouch Gallery in Tel-Aviv. He holds a BED from Hamidrasha College (2008) and an MFA from Parsons School of Design at the New School (2010). He has received a CCA Video Art Fund (2012), a Dean's Graduate Scholarship from Parsons (2009-10), and an Outstanding Artistic Excellence Award from Beit Berl College (2008). He lives and works in New York City.
Destructure, curated by Jonathan Melville Pratt
September 3 - October 12, 2014
Opening Reception: Sunday, September 7, 6 - 8 pm
Greg Allen Müller, Tom Costa, Cordy Ryman, Tyrome Tripoli
this time... this art... this mind.. is shattering,
splintering into something ever new.
turning in and on a world that we've scarred
manipulated as we have evolved,
a world we now dismantle in all our fevered hurry...
these structures obsolete and bleeding as we push into some kind of newage,
making sense of the sewage swelling up around us.
to begin this dark steering... to build again...
we must ourselves from within and without teach and be taught
to take apart our worlds, our things, our way of doing and seeing.
through this arduous and courageous destructuring of this paradigm,
the taking apart and reworking of our former selves,
we can slowly learn build and navigate the coming years.
These artists have each inspired me in their tireless practices, their playful and often irreverent observations, their seemingly endless inventive reinterpretations, and their unique and often revolutionary approach to form and aesthetic. They have themselves been broken down and been rebuilt by there discipline. Transformed by it, surviving through it... They exhibit an incredibly pleasing use and exploration of form, color, construction... Always asking the questions "what next?" or "how much further can I take this?" and all the while exposing the subtle beauty in things commonly overlooked or discarded, and proposing the possibility of a vast new array of viewpoints, a further shedding of what we thought this world and this life to be. They all demonstrate in their individual and intuitively connected way that this evolving and persistent beauty is possible in all things, in all spaces and confines of environment and circumstance, and is, of course, the natural way amidst the unfolding chaos of this time and this place.
For more information, visit www.lesleyheller.com. Lesley Heller Workspace is located at 54 Orchard Street, New York, NY 10002. Call 212 410 6120 for more information. Gallery Hours: Wednesday - Saturday 11 - 6 and Sunday 12 - 6.