THE BEE to Play as Part of the 2012 Under the Radar Festival
As part of the Under The Radar Festival 2012, Japan Society will present THE BEE, directed and co-written by celebrated director/playwright Hideki Noda. This production, co-produced with the Tokyo Metropolitan Theatre, London's Soho Theatre and NODA?MAP, runs Thursday, January 5 – Sunday, January 15 at Japan Society (333 East 47th Street).
Conceived by Japan's celebrated playwright and director Hideki Noda, THE BEE draws "links between comedy and pain, beauty and cruelty," (Financial Times). THE BEE won the Asahi Performing Arts Award Grand Prix and the Yomiuri Theater awards Grand Prize for best play. THE BEE was presented at London's Soho Theatre (2006) and Theatre Tram, Setagaya Public Theatre, Tokyo (Japanese version with Japanese cast, and English version with original London cast, both 2007). Following the presentation at Japan Society as part of the Under The Radar Festival, the English version of THE BEE will travel to London's Soho Theatre, Hong Kong Arts Festival and Tokyo's Suitengu Pit. Following this tour, the Japan Tour will begin in April with a Japanese cast (including Hideki Noda and Ryohei Kondo of Condors Dance Company) with engagements set in Tokyo, Osaka, Kita-Kyushu, Matsumoto and Shizuoka.
Japan Society Artistic Director Yoko Shioya shares, "It means a lot for us to be able to present both Hideki Noda's THE BEE and Toshiki Okada's chelfitsch Theater Company (Hot Pepper, Air Conditioner, and the Farewell Speech) in our first time participating in the Under The Radar Festival. These shows truly illustrate what's going on in Japanese experimental contemporary theater. In some ways, these plays represent 'opposites' in style and what they communicate. In Toshiki Okada's play, characters avoid intimate and meaningful exchanges. The work portrays Japan's "Generation Y," a generation known for handling matters lightly, if not indifferently. In counterpoint, Hideki Noda's plays always contain one or more eccentric characters full of enormous, almost overwhelming, emotions and energy. Yet, there is a common theme that these artists and their plays illustrate: the deeply rooted tendencies surrounding communication in Japanese society. While the exterior of Japan's communication is tremendously polite and kind, beneath the surface, in Okada's world – apathy is ingrained – while in Noda's world, any event may trigger an eruption of previously suppressed emotion."
Hideki Noda (THE BEE, Co-writer, Director and Actor: "Ogoro's wife," "Reporter") is a playwright, director and actor. He became the artistic director of Tokyo Metropolitan Theatre in July 2009. Noda launched his first theatre company, Yume no Yuminsha (Dreaming Bohemian) in 1976 while a student at the University of Tokyo, creating many works to much acclaim. In 1988 Yume no Yuminsha performed Noda's play Comet Messenger-Siegfried at BAM's then Majestic Theater, presented as part of The First New York International Festival of the Arts. After disbanding the company in 1992, he went to study in London and in the following year established a Production Company called NODA?MAP. Since then, he has presented a succession of major hits, including Kill, Pandora no kane (Pandora's Bell), Oil, Akaoni (Red Demon), THE BEE, THE DIVER, The Character and South. He has collaborated with the celebrated Kabuki actor Nakamura Kanzaburo XVIII and adapted Kabuki plays and directed productions such as Tragedy of Togitatsu and Nezumikozo, in a so-called Noda-style Kabuki. Noda is also actively involved in international productions, working with Thai and British actors. Hideki Noda has been awarded most of the major drama prizes in Japan including the 2009 Asahi Prize. He was appointed an Honorary Officer of the British Empire (OBE) in October 2009 and earned the Medal with Purple Ribbon from the Japanese Government (for contributions to education and culture) in June 2011.