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Review Roundup (12/11): LES MISERABLES Movie

Christmas can't get here fast enough, because that's when LES MISERABLES hits the big screen. Les Misérables is the motion-picture adaptation of the beloved global stage sensation seen by more than 60 million people in 42 countries and in 21 languages around the globe and still breaking box-office records everywhere in its 27th year.

Helmed by The King's Speech's Academy Award-winning director, Tom Hooper, the Working Title/Cameron Mackintosh production stars Hugh Jackman, Oscar® winner Russell Crowe, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Aaron Tveit, Samantha Barks, with Helena Bonham Carter and Sacha Baron Cohen.

The movie premiered last night in New York City, and you can check out what the critics are saying below!

Christy Lemire, Associated PressTom Hooper's extravaganza, big-screen telling of the beloved musical "Les Miserables" is as relentlessly driven as the ruthless Inspector Javert himself. It simply will not let up until you've Felt Something — powerfully and repeatedly — until you've touched the grime and smelled the squalor and cried a few tears of your own.

Nicole Christine, IndependentTo say that Les Miserables is going to be a hit is putting it mildly. Unlike the opening night of Trevor Nunn's Barbican production, which produced poor reviews but staggering box office, this new production – which gives the characters of Jean Valjean, Fantine, Cosette a forever life – is going to go down in history for the way it tells a musical tale on the big screen.

Sydnee Watlow, Daily Mirror: Russell Crowe is a solid, uniformed presence as brooding baddie Javert while opposite hunk number Hugh Jackman is conflicted and formal (but not stuffy) as he smoulders as the heroic Jean Valjean – even after we are introduced to him in a prison camp. Anne Hathaway looked striking too – but her performance had even more impact. She is stunningly good as the tragic Fantine.

Drew, McWeeny, Hitflix: It's interesting to see very different performance styles up against each other in the film. Jackman, as I said, is at home here, and he gives a wonderful performance as Valjean. He plays the anger, the sorrow, the brief moments of joy, all with nuance and skill, and his voice is fantastic. Eddie Redmayne is probably the big revelation of the film, and he has a great singing voice as well. Seyfried is very pretty as Cosette, and she's got a sweet little trill of a voice, but as is often the case with "the love interest," she's very underwritten, and it's a tough role to make interesting. Samantha Barks actually fares better with her brief turn as Eponine, and much of the cast scores even in small moments. Perhaps the most controversial casting decision in the film was Russell Crowe, and it's true that he doesn't have the same sort of musical theater background as Jackman.

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