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Review Roundup (11/26): LES MISERABLES Movie

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Review Roundup (11/26): LES MISERABLES Movie

Christmas can't get here fast enough, because that's when LES MISERABLES hits the big screen. Les Misérables is the motion-picture adaptation of the beloved global stage sensation seen by more than 60 million people in 42 countries and in 21 languages around the globe and still breaking box-office records everywhere in its 27th year.

Helmed by The King’s Speech’s Academy Award-winning director, Tom Hooper, the Working Title/Cameron Mackintosh production stars Hugh Jackman, Oscar® winner Russell Crowe, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Aaron Tveit, Samantha Barks, with Helena Bonham Carter and Sacha Baron Cohen.

Journalists who attended the first screening could not yet 'review' the film, but were allowed to reveal their general reactions. Check them out below!

Scott Feinberg, Hollywood Reporter: Whether or not the use of actors' live on-set singing (as opposed to re-recording it in post-production) actually enhances the believability of a film more than it compromises the quality of the music, audiences seem to have been sold on the former, thanks in large part to Universal's recent featurette about the practice. Moreover, any "first" makes for a great talking-point on the awards season campaign trail. (Incidentally, all of the musical numbers were also shot in close-up and uninterrupted takes.)

Steve Zeitchik, LA Times: There will be plenty of review takes later, so suffice to say that in-between the movie offers some rousing emotion and vivid set pieces, uneven pacing and the sight of Russell Crowe singing. (He's fine as the law-enforcing Javert but, like Hugh Jackman’s Jean Valjean and the other males in the cast, pales next to the women, Amanda Seyfried’s Cosette and particularly Anne Hathaway’s Fantine, whose single-take, close-up "I Dreamed a Dream" is bound to bring down multiplexes and land her on Oscar ballots.) Other Kleenex-producing musical numbers include the large-scale “Do You Hear The People Sing?," offered in reprise later in the film. (Samantha Barks' "On My Own” did not have the same effect on this reporter; others may disagree.)

Mike Ryan, Huffington Post: I will say, as a complete novice to the world of Les Miz (I've decided to go with Les Miz, by the way), I thought the film was wonderful and found myself momentarily confused only a handful of times. (This is arguably my fault for being easily confusable.) My personal favorite movie this year is still Argo, but after seeing Les Miz, my gut is telling me that it will beat both Argo and Lincoln for Best Picture. And the talk you may or may not have heard about Anne Hathaway being a shoo-in for Best Supporting Actress as Fantine is true. (Though, again, not knowing anything about Les Miz, I was honestly shocked by how little she is in this movie.)

Tom O'Neil, Gold DerbyReviews are embargoed until Dec. 11 so it's tricky to discuss the film, but here goes. The audience flipped for it. It's (nearly) everything that "Les Miz" nuts hoped for. Eddie Redmayne is the big surprise. His performance wows and, yikes, who knew he could sing like that? Sacha Baron Cohen and Helena Bonham Carter try to steal the film -- and the contents of every pocket in 19th-century Paris. But Carter can't win. Anne Hathaway has Best Supporting Actress in the bag and Hugh Jackman poses a serious threat to Daniel Day-Lewis' dominion over Best Actor.

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