Photo Flash: First Look at 24th STreet Theatre's ROME AT THE END OF THE LINE

By: Sep. 08, 2012
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In Rome at the End of the Line (Roma al Final de la Via), 24th STreet Theatre brings Mexico's Viaje Redondo Producciones to Los Angeles with the U.S. premiere of a whimsical and poignant story about friendship that spans a lifetime. Seven-year-olds Emilia and Evangelina-born a few days apart in a small Mexican town–walk together to the train tracks with the child-like hope of boarding the train and traveling to Rome. From that moment, their lives are forever tied together. The two return to the tracks five more times-at ages 13, 20, 40, 60 and 80-to share their dreams, worries and love stories. The show is performed in Spanish with English supertitles.

Get a first look at stars Norma Angélica and Julieta Ortiz onstage in the photos below!

Rome at the End of the Line is written by Daniel Serrano and directed by Alberto Lomnitz, with movement design by Isabel Romero, costumes by Adriana Olivera, lighting design by Alberto Lomnitz and Ismael Carrasco, sound design by Alejandro López Velarde and Javier de la Peza.

The show will run from September 15 through October 7 at 24th STreet Theatre, 1117 West 24th Street, Los Angeles, Calif. For tickets, scheduling and more information, visit www.24thstreet.org.

Photo Credit: Andrea Lopez

Photo Flash: First Look at 24th STreet Theatre's ROME AT THE END OF THE LINE

Photo Flash: First Look at 24th STreet Theatre's ROME AT THE END OF THE LINE
Norma Angelica and Julieta Ortiz

Photo Flash: First Look at 24th STreet Theatre's ROME AT THE END OF THE LINE
Julieta Ortiz and Norma Angelica

Photo Flash: First Look at 24th STreet Theatre's ROME AT THE END OF THE LINE
Julieta Ortiz and Norma Angelica

Photo Flash: First Look at 24th STreet Theatre's ROME AT THE END OF THE LINE
Norma Angelica and Julieta Ortiz

Photo Flash: First Look at 24th STreet Theatre's ROME AT THE END OF THE LINE
Julieta Ortiz and Norma Angelica

Photo Flash: First Look at 24th STreet Theatre's ROME AT THE END OF THE LINE



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