POST POP: EAST MEETS WEST Exhibit To Be Displayed at Saatchi Gallery, 11/26

London, UK - On 26 November 2014, the Tsukanov Family Foundation and Saatchi Gallery will

open Post Pop: East Meets West, the first comprehensive exhibition examining why Pop Art, of

all the twentieth century's movements has had such a powerful influence over artists from world

regions that had or still have very different and sometimes opposing ideologies.

The exhibition brings together 250 works by 110 renowned artists from China, the Former Soviet

Union, Taiwan, the UK and USA in the largest survey to date exploring Pop Art's enduring

legacy. Post Pop: East Meets West will celebrate the art being produced in these distinct

regions since the heyday of Pop, and will present them in relation to each other through the

framework of six themes: Habitat; Advertising and Consumerism; Celebrity and Mass Media; Art

History; Religion and Ideology; Sex and the Body.

Widely regarded as the most significant art movement of the last century, Pop Art exploits

identifiable imagery from mass media and everyday life to reflect on the nature of the world we

live in. This exhibition examines the relationship between western Pop Art and its lesser-known

eastern counterparts including "Sots Art" in the Soviet Union and "Political-Pop" or "Cynical

Realism", which has flourished in Greater China since the turn of the twenty-first century.

Using humour and a vernacular language, and borrowing freely from popular culture, Pop Art

gave subsequent generations of artists the licence to exploit popular visual imagery and to

connect with the public through the familiarity of the images being referenced. In the Former

Soviet Union the abundance of imagery comparable to mass produced commodities and

advertising in the West was propaganda images and text, and in Greater China visual

iconography of Socialist Realism.

Although from fundamentally different cultures and ideological backgrounds, the artists in this

exhibition play with imagery from commercial advertising, propaganda posters, pictures of the

famous as well as monetary and patriotic motifs in wry and provocative works that unmistakably

reference the Pop Art movement which emerged in America and Britain in the 1950s and 1960s.

In the Soviet Union region these works draw attention to state control, conformity, ceremony,

pomp and the façade of unanimity amongst the people; in America and the UK they serve as a

critique of commodity fetishism, the cult of celebrity and our mass-produced, status-driven man-
made world; and in Greater China as commentary on the social dislocation created by a new

super power's fascination with wealth and luxury following a period of extreme austerity.

Post Pop: East Meets West is co-curated by pre-eminent authorities Andrey Erofeev, a leading

art critic and writer, and former head of the contemporary art department of the Tretyakov

Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous

publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan

and Canada; and Tsong-Zung Chang, a curator and guest professor of China Art Academy who

co-founded the Asia Art Archive and the well-established Hanart TZ Gallery in Hong Kong.

Given the global energy being enjoyed by contemporary art, this exhibition aims to make

audiences more aware of Pop Art as a major influence on current art practice.