New York Historical Society Announces New Installations

The New York Historical Society, located at 170 Central Park West, New York, NY, has announced its upcoming installations for June 2012. The installations include:

STORIES IN STERLING: FOUR CENTURIES OF SILVER IN NEW YORK until September 23, 2012

The New-York Historical Society will present Stories in Sterling: Four Centuries of Silver in New York, an exhibition highlighting the histories of 150 notable examples of silver from its collection. Made across the span of four centuries, the objects in the exhibition tell a diversity of stories: many speak to individual accomplishment and family pride, while a few have unsettling ties or backgrounds. The silver, ranging from simple spoons to extravagant trophies, culled from a trove of over 3,000 objects, includes powerful eyewitness artifacts linked to significant moments in the history of New York and the United States.

“BE SURE! BE SAFE! GET VACCINATED” SMALLPOX, VACCINATION AND CIVIL LIBERTIES IN NEW YORK until September 2, 2012

“Get Vaccinated!"—part of a slogan from an incredibly successful 1947 campaign requesting voluntary vaccination (when five million New Yorkers were vaccinated in two weeks)—will trace the history of smallpox and efforts to manage it in the crowded environs of the nation’s largest city. The exhibition will begin with the use of inoculation (the introduction of matter from a pustule on the body of smallpox sufferer), in the eighteenth century, and George Washington’s dramatic decision to inoculate his troops during the Revolutionary War, amid rumors that the British were intentionally infecting rebel populations. Themes that will be emphasized in Get Vaccinated! include the history of vaccination itself, the painful conflict between the need to manage disease in an urban environment and the rights of individuals to resist government interference in their private lives, the growing effectiveness of public relations campaigns in promoting public health initiatives, bioterrorism and the political and economic impact of all epidemics in the city, including cholera, typhus, yellow fever and AIDS.

BEER HERE: BREWING NEW YORK’S HISTORY until September 2, 2012

To consider the fascinating yet largely anonymous legacy of beer brewing in New York City, the New-York Historical Society will examine the city’s long relationship to this age-old drink in Beer Here: Brewing New York’s History, on display from May 25, 2012 to September 2, 2012. This exhibit will survey the social, economic, political, and technological history of the production and consumption of beer, ale, and porter in the city from the seventeenth century to the present. Exhibit sections will explore such topics as: the nutritional properties of colonial beer and early New York brewers in the age of revolution; infrastructure innovations and the importance of access to clean water; large-scale brewing in nineteenth-century New York and the influence of immigration; the influence of temperance and impact of prohibition; bottling, canning, refrigeration and other technological advances; and the state of the city’s breweries in the age of mass production. Featured artifacts and documents will include: a 1779 account book from a New York City brewer who sold beer and ale to both the British and patriot sides; sections of early nineteenth-century wooden pipes from one of the city’s first water systems; a bronze medal that commemorates an 1855 New York State temperance law; beer trays from a variety of late nineteenth-century brewers; sign from the campaign to repeal prohibition; and a selection of advertisements from Piels, Rheingold and Schaefer, beloved hometown brewers. The exhibit concludes with a small beer hall that will feature a selection of favorite New York City and State artisanal beers.

AUDUBON: National TreasureS—SELECTED GULLS FOR THE BIRDS OF AMERICA (1827-38) Until July 1, 2012

Looking at these four watercolors you are enjoying an experience similar to that of John James Audubon’s (1785–1851) original subscribers to The Birds of America (1827-38). The watercolors are rotated on a quarterly basis to limit the potential damage caused by their exposure, ensuring that these National Treasures are available to future generations. Gulls, more informally called seagulls, are birds in the family Laridae. Most gulls are ground-nesting carnivores, which dive to the water’s surface for live food, like small crabs or fish, or scavenge opportunistically. They are, therefore, beneficial to the environment but also are beach beggars and thieves! Audubon executed nine watercolors of various species of gulls for plates in The Birds as well as three alternate watercolor studies, all in the collection of the New-York Historical Society.

MAKING AMERICAN TASTE: NARRATIVE ART FOR A NEW DEMOCRACY Until September 9, 2012

Featuring fifty-five works from New-York Historical’s great collection, Making American Taste casts new light on both the history of American art and the formation of American cultural ideals during a crucial period from roughly the 1830s to the late 1860s. The exhibition includes the long-awaited debut after conservation of Louis Lang’s famed monumental history painting of 1862: Return of the 69th (Irish) Regiment from the Seat of War. The painting is a centerpiece of our commemoration of the Sesquicentennial of the Civil War.

BEAUTIES OF THE GILDED AGE: PETER MARIÉ’S MINIATURES OF SOCIETY WOMEN Rotation Two until July 8, 2012

Between 1889 and 1903, New York socialite Peter Marié (1825–1903) commissioned portrait miniatures of women whom he believed epitomized female beauty. His collection of nearly 300 watercolor-on-ivory miniatures stands today as a vivid document of New York’s Gilded Age aristocracy. Beauties of the Gilded Age presents likenesses of many prominent women of the era, including legendary socialite Edith Minturn, athlete Edith Hope Goddard, and social activist Emeline Winthrop. The fragile and rarely exhibited portraits will be displayed in four-month rotations in a special new gallery designed for intimate viewing.

HARLEM BY CAMILO JOSÉ VERGARA Until September 16, 2012

1st rotation: Friday, February 17- Sunday, June 10

2nd rotation: Wednesday, June 13 – Sunday, September 16

This exhibition of photographs by Camilo José Vergara will be shown in two rotations: Harlem: The People and Harlem: The Place. Vergara’s images serve as powerful and poignant witness to the changes that have occurred over the past four decades in one of the most famous neighborhoods of New York City. Known as the capital of black America, Harlem is a place that has been home to many in the civil rights movement. However, this dynamic part of the city north of Central Park is defined by not only its residents, but also by the physical environment; buildings, which, viewed repeatedly over time, have an organic quality of their own. The first installation (February 17 - June 10, 2012) is defined by the personalities and people of Harlem and the second cycle will focus upon the bricks and mortar; those buildings that tell their own stories.

TITANIC VOICES until June 3, 2012

Thousands of lives were changed forever when the RMS Titanic sank on April 15, 1912. The New-York Historical Society and the Gilder Lehrman Institute for American History will honor the centennial of the Titanic’s maiden voyage with a special display featuring four items from both collections that tell the story of the passengers on the Titanic. The installation will include Washington Dodge’s handwritten eyewitness account of the ship’s sinking; a bronze medal presented to Arthur Rostron, captain of the Carpathia, for his heroic rescue of Titanic survivors; a Marié miniature depicting a survivor, Mrs. John Borland Thayer, whose husband died on the Titanic, but whose son survived; and a photographic portrait of Isidor Straus, owner of H.R. Macy & Co., and his wife, Ida, who perished together.