In 1992, Deborah Masters was awarded the MTA Arts for Transit Commission for the Ocean Parkway Viaduct station (then the D-Line, now the Q-Line). The original commission was for the inside of the subway station, but when the artist looked at the Viaduct surface, she noticed indentations she felt sure were intended for reliefs. She felt that the Olmsted Parkway, the widest old road to the beach, and the Art Deco Viaduct decorated with red, green, blue, yellow, and orange deco tiles from 1915 was intended by Frederick Law Olmsted, the founder of landscape architecture, to be the "Gateway to Coney Island". She proposed adding 1650 sq. ft. of reliefs about Coney Island to the viaduct.
Deborah drew and photographed the Coney Island population. On the Boardwalk, she found an obviously eccentric community: aged members of the Polar Bear club, sunning and preening in the winter sun, odd members of the Side Show eating glass, hammering nails in their noses, reading Beat Poetry, playing with enormous albino snakes in scant bathing suits, showing films of Siamese Twins and vicious elephants while the fat lady sang. On the beach, Masters found kids building sand castles, gang members lounging, handsome lifeguards, relaxed gay, lesbian, and heterosexual couples, a supposed FBI Agent who didn't want to be photographed, and many bathing beauties. On the Boardwalk were colorful blow-up toys, ice cream, lemonade, and hotdogs. There were seagulls, banners, and Jamaicans selling strange and delicious handmade pastries. There were old Russian ladies sitting primly on benches, clutching their purses. The oldest member of the Polar Bear Club combed out her bleached blond hair. People came in every color and every age. They all wanted to be drawn or photographed. All had ideas for the sculptures: include the Amusement Park, the Aquarium, the Side Show, and each of them!Videos