City Opera's VOX Showcase returns May 10 & 11 2008/02/19

City Opera's VOX Showcase returns May 10 & 11

Tuesday, February 19, 2008; Posted: 01:02 PM - by BWW News Desk

New York City Opera's acclaimed series VOX 2008: Showcasing American Composers returns for its ninth season on May 10 and 11, presented at the Skirball Center for the Performing Arts at NYU (566 LaGuardia Place, Washington Square Park South).� VOX 2008 will feature readings of ten new or previously unperformed American operas of both emerging and established composers.� All selections will be performed by City Opera artists and accompanied by its orchestra.

Admission to all VOX events is free and open to the public.� After last year's overwhelmingly strong response of over 1700 people in attendance at the Skirball Center, City Opera returns.� This year, VOX attendees can reserve their FREE tickets in advance by logging on to VOX's new website: www.vox-nyco.com.

A record number of eighty works were submitted to the VOX selection committee, which is comprised of five full-time City Opera staff from various disciplines of artistic, music and dramaturgical departments, including City Opera Music Director, George Manahan.� Of those submitted, only ten were chosen, including: John King's Dice Thrown, an adaptation of Mallarm�'s last poem, which is structured by chance operations, therefore no two performances of the work will be alike.� The young composer David T. Little uses his experience with rock music to bring to life true interviews in Soldier Songs, while Scott Davenport Richards' Charlie Crosses the Nation employs jazz to tell the story of a mixed-race band leader during the Big Band era of the 20s and 30s.� Alice Shields sets Criseyde, her feminist interpretation of the Troilus and Cressida story, partly in Middle English.� Maestro Manahan is set to conduct Little's Soldier Songs, Steve Potter's The Officers and Cary Ratcliff's Eleni.

Like last year, each selection will be introduced by a video featuring an interview with the composer and librettist.� Audiences can view last year's introductions at www.vox-nyco.com.� This year, listeners will also be able to leave feedback for composers of the 2008 selections on the VOX website.

VOX 2008: Showcasing American Composers has been made possible, in part, by the generous leadership support of The Andrew W. Mellon Foundation, The Helen F. Whitaker Fund, The Francis Goelet Charitable Lead Trust.� Additional funding has been provided by The Amphion Foundation, The ASCAP Foundation Irving Caesar Fund, The Aaron Copland Fund for Music, Frederick S. Upton Foundation and Ms. Younghee Kim-Wait.

VOX 2008

SELECTION DESCRIPTIONS

May 10 and 11, 2008
2 - 5:30 p.m.
Skirball Center for the Performing Arts
New York University
566 LaGuardia Place (Washington Square Park South)
New York, NY 10012

The titles, composers and librettists selected for VOX 2008: Showcasing American Composers are as follows.

May 10
12:00-1:30pm
Panel Discussion: Politically Engaged Music-Theater
Moderator: Yuval Sharon, VOX Project Director

Can opera act as the right platform for the depiction of topical issues? A roundtable discussion with some of this year's VOX composers focuses on this question and discusses the distinction between political and socially engaged works.

2:00-3:10pm
Our Giraffe
Music by Sorrel Hays
Libretto by Charles Flowers

This satirical and imaginative historical fable uses the arrival of the first giraffe in Paris to show the clash of cultural expectations from different societies. Sorrel Hays' eclectic, hybrid musical writing has earned her eight commissions from the Westdeutscher Rundfunk's Experimental Drama department, with her subjects ranging from the microtonal fluctuations of tone generators to a post-modern opera on the life of bees.

Eleni
Music by Cary Ratcliff
Libretto by Cary Ratcliff, with Robert Koch
Based on the book Eleni by Nicholas Gage

During the Greek Civil War, 28,000 children were abducted to Eastern bloc countries. Nicholas Gage, a New York Times reporter, returned to Greece in 1980 to uncover the story of his mother's defiance, and to track down her executioner with a gun. Ratcliff is a pianist with the Rochester Philharmonic, has taught orchestration and choral writing courses at Eastman School of Music, and has created orchestral soundtracks for the Smithsonian's Einstein Planetarium.

3:30-4:20pm
The Mortal Thoughts of Lady Macbeth
Music by Veronika Krausas
Libretto by Tom Pettit, after Shakespeare

Los Angeles-based composer Krausas telescopes Shakespeare's play into an eerie, intense 25-minute chamber work for Lady Macbeth and the Three Witches. Krausas has created multimedia events and concert pieces for the Darmstadt New Music Festival, the Penderecki String Quartet, the Motion Ensemble, and other ensembles in America, Canada, Australia, the Netherlands, and Romania.

The Officers
Music and libretto by Steve Potter

A deadpan discourse subtitled "Scenic Music for Regulatory Voices and Instruments," The Officers follows the characters Parvula Consequence and Mister F as they travel from Venice, Italy to Venice, California to determine whether God is still "dead." Steve Potter has written for diverse ensembles such as Lontano (London), Teatro Lirico Sperimentale (Spoleto, Italy), and ASKO Ensemble (Amsterdam), and he is currently working on a PhD in composition at King's College London under the supervision of Silvina Milstein and George Benjamin.

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