Review: M'DEA UNDONE, Not Your Typical Opera

Adapted from a scene of Euripides' Medea, the Tapestry Opera's latest production of M'DEA UNDONE brings the myth and tragedy of this classic story to modern times. The opera takes place in the twenty-first century as Jason, a former army captain, begins a new political career and begins to distance himself from his wife M'dea and son Chase. A complicated and powerful piece, themes of love, revenge, and jealousy are explored. Librettist Marjorie Chan and Composer John Harris compliment each other perfectly in this stunning new work.

Mezzo-soprano Lauren Segal and baritone Peter Barrett lead the show with grace; both share very intimate and controlled scenes, while also being able to showcase power and anger. Their voices filled the large outdoor venue and really carried the show concluding in an epic finale.

The show started just as the sun began to set, and the outdoor venue got darker and darker as the show's plot progressed. It tied in beautifully with the pacing of the opera and allowed me to get more and more engulfed in the tragic drama.

Although the outdoor venue was absolutely beautiful, I can't help but wonder if it was necessary. At times, the humming of cars and motorcycles on the DVP drowned out some lines, and I couldn't help but be distracted by the bugs that seemed to collect near the lighting on the ceiling. Still, the industrial tone of the Evergreen Brickworks brought a very unique aspect to the show and served as an excellent backdrop to M'dea's struggles.

Unfortunately, the show's limited run ends this Friday. However, Tapestry Opera's Artistic Director, Michael Hidetoshi Mori said that the upcoming season for Tapestry is going to be 'BIG'. If next season is going to be anything like M'DEA UNDONE, you do not want to miss your opportunity.

Now playing at the Evergreen Brickworks until May 29th. For more information visit tapestryopera.com

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